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Kunmadj

Kunmadj is the Kuninjku term for large woven collecting baskets, known as dillybags.

They are often made from the burney vine (Malaisia scandens), a strong, pliable plant that grows along the ground and into the canopy of monsoon vine thickets. The baskets are used to collect a variety of heavy foods, such as fish caught in conical fish traps or a good harvest of yams. As well as being of practical use, dillybags are of cultural significance to Arnhem Land people. Dillybags are totemic objects and they are associated with particular sites in the landscape.

Name: Janet Marawarr


Language: Kune, Kuninjku


Community: Maningrida


Biography:

Janet Kalidjan Marawarr is a senior Kuninjku artist who has been creating textile-based artwork at Bábbarra Women’s Centre for almost 40 years. Also a skilled bark painter, Janet views her art practice as a way to explore color and experiment with new media to express her djang (ancestral creation stories). Her artistic journey has taken her to Paris, Los Angeles, New Zealand, and most recently, India.

In 2019, Janet traveled to Paris to launch the touring exhibition Jarracharra (Dry Season Wind), which featured her work. In 2022, she traveled to Los Angeles, where her work was included in the exhibition Aboriginal Screen-Printed Textiles from Australia’s Top End at the Fowler Museum, UCLA. In January 2023, Janet was invited by the Australian Consul-General in Kolkata to explore the textile-rich region of West Bengal as a guest of honor. During her 10-day visit, she shared her knowledge with various women’s groups, including the Bridging Culture and Art Foundation’s Kantha studio in Tushkhali, Sundarbans; Sadaf India Studio; and the Navajeevan Co-operative Society in Jajpur, Odisha.

In addition to her textile work with Bábbarra Women’s Centre, Marawarr is an accomplished bark painter with Maningrida Arts & Crafts. She also serves her community by working with the Maningrida Night Patrol, a community safety service.

“I saw the old people doing only lino with bush dye, no screen printing. I was 18 then; I’m 60 now, so it’s been 40 years. I used to watch my mum weave baskets, and I saw my grandfather painting, too. One day, I learned from him. I love printing and linocuts—printing my designs on textiles.” — Janet Marawarr, Artlink 2023


© the artist / art centre