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Published by CompNet Systems on

Claypans In The Pilbara

This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. 

During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Joan Lever

Biography:

"Mum was in Moore River Settlement from when she was a young girl, but not for terribly long because she went to New Norcia. Then she left, that’s when she went to Moora, and that’s where she had me and the other kids. Two sisters and three brothers. I’m the oldest girl.

We lived around Moore River Settlement for a long time. Then me and my brothers and sisters were placed in the mission at New Norcia. The Native Welfare checked on all the families to place the children in St. Joseph’s orphanage at New Norcia. I would see my mother about three times a year. She’d take us out to the shop then have to take us back. I think the institution didn’t want to lose you. Everything was tough.

I got educated at the orphanage. At school my favourite subject was art. We used to draw and paint landscapes. Mainly painting. In the last few years, when I finished grade 7, that’s when you were put to work. We all worked in the laundry, all the big girls. I worked there at the laundry about three years, then left when I was fifteen.

Then I lived in Dongara for a couple of years, where I met my husband. We moved to Marble Bar. My daughter and my son were born in Marble Bar. I kept painting when I went to Marble Bar. I would paint what I saw there, mostly the scenery. I painted with another lady there, she taught me some things.

It's nice therapy painting, everything sort of goes on with the canvas."

- Joan Lever

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