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Published by CompNet Systems on

Tali Tali – Sandhills

This painting shows the artist’s Tjukurrpa, the Tali Tali Dreaming. It refers to the vast and desolate sandhills of her country near Taalalpi, which is located beyond the Kintore/Kiwikurra road near the West Australian and Northern Territory border. This is the country where her father and mother used to travel by foot when she was a young girl. The place is still of great spiritual significance to Alice and her father’s family as it contains both, personal and tribal law to which Alice relates in her work. Water has collected in between the sandhills, providing sustenance for her porcupine. The tjikamamta (porcupine) is Alice’s own personal tjukurrpa (dreaming). She returned to her country for a visit in late 2005.

Categories: Ikuntji Artists

Name: Kutungka Napanangka

Language: Luritja, Pintubi

Biography:

Katungka is one of the daughters of Katarra Nampitjinpa, an important Pintupi artist who painted originally with the PapunyaTula Artists and then later with Ikuntji artists at Haasts Bluff. Katungka watched her mother and sister, Permungka, paint for many years but she only started painting regularly after her mother passed away in1999 . Katungka drives 100 kilometres round trip to and from Papunya every day to paint her stories. She is a devout Christian who is married to Pastor Murphy and regularly participates in religious ceremonies. Katungka appears to reconcile both traditions with respect and integrity and is deeply committed to the transmission of knowledge of both cultures. Katungka paints her mother's dreaming stories or tjukurrpa from her country Ulkapa, near Kintore and the tjukurrpa from her own country at Intinti, both of which are far west of Haast's Bluff, over the West Australian border. The stories at Intinti involve women hunting for kuniya or carpet snakes with nullanullas. The two kuniya disappear down rockholes, hiding from the women. Katungka lives in Alice Springs now is is an diayalisis patient In 2003 Katungka developed her white saltlake works. These have expanded and developed with fine marking all over the white canvas. Shadow forms are seen as marks in the salt lake. These marks represent people travelling, the wind shifting the salt, animal tracks and the myriad marks left on the salt pan by even the most minor change in the environment.

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