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Jirntulurru Ngumpulurru (Martu Kinship)

“The four skin groups that govern Martu social structures around marriage and lore are Jangala, Karimarra, Purungu and Milangka. [For example] Anya [Judith Anya Samson, Martumili artist] is Milangka, I am Karimarra skin. Within each skin grouping there is a male and female, and then only one other grouping with which each of these are ‘right skin way’ for marriage.

It is simple but complex all in one- I have tried to explain by writing it all but now I am also trying to explain by painting. Using colour coding I thought might help to expain.

You can see here there are eight colours which represent the eight different skins (four female and four male) and then the skin groupings of offspring as the circle moves out. So the centre is the Lore and around this is the first grouping; us now, or our ancestors, depending on your perspective.

Each pairing, within the first circle, includes the male and femaie of each skin group. For example- it’s red for male and blue for female in the Milangka skin group.

The cycle moves through from grandparent to grandchild, and then back around to grandparent again. So a child can be an elders grandmother as can an elder be a child’s child.”

– Clifton Girgiba, 2025

Martu kinship systems governed, and still goven social structures and Lore throughour the area and the knowledge is passed through generations as common knowledge.

In the heart of central Western Australia, the Martu people are the traditional owners of a vast landscape stretching from the Great Sandy Desert in the north to Wiluna in the south. Across this Country, their lives are bound by a common ancestral heritage, law, and culture. To one another, they are walytja (family).

This Martu term for family, walytja, encapsulates a broader idea of relatedness that permeates every aspect of life. The Martu four-section kinship system determines a person as belonging to either the Purungu, Milangka, Panaka/Jangala or Karrimarra skin group, and was created by the Jukurrpa (Dreaming) ancestors.

This system not only defines relationships, it also establishes a framework for expectations and obligations, and extends the importance of family far beyond mere blood or marriage ties. Family is not limited to blood connections; it encompasses all relationships within the entire community, forming a network of relationships that was crucial to survival during the pujiman (traditional, desert dwelling) era, and that remains fundamental to Martu life today. The kinship system allows everyone to know what expectations one person can have in relation to another, and means that familial terms and relationships are present between any two individuals, whether or not they are related by blood.

Name: Clifton Girgiba


Language: Manyjilyjarra


Community: Parnngurr


Biography:

“I am Clifton Girgirba my nickmane is Gibon, I was born in Port headland, I grew up in Jigalong Community in the 80’s then I moved  to camp 61, the first shelter school there, then I went back to Jigalong did school and language there, In ’87 [during the ‘Return to Country’ movement] we moved to Parnngurr with my foster mother Thelma (Judson). We all lived in the humpy’s first before the houses, no airport, no clinic, no shop.  We just had a generator, we camped next to the hill side. We moved west before the houses came.  The school opened in the 90’s it was the first building. I went to school doing art, sewing and carving that’s when I learned about art.

I moved around a bit to Wiluna, Woodstock, Punmu, Hedland and Newman throughout the 90’s. It was In 1993 I settled in Parnngurr, till today that’s my home. In those days I learnt how to go hunting, burn country learn about plants and animals, cultural things. All them old people were teaching us. Seed collecting and hunting you learn young, I learned a lot, all the waterholes and dreaming stories, like seven sisters. In 2002 when we got native title I was a young chairman for the school and the community, been on that board of directors for 10 years. Then came KJ (Kanyirninpa Jukurrpa, ranger organisation) and Martumili (Artists), I meet Gabrielle (Martumili Manager) and Peter Jonhston (KJ Dirctor), Muuki (Taylor) wanted to start up the KJ rangers, I got involved with Martumili doing interpreting first years before I started painting.

With the rangers I discovered some waterholes and soaks with my grandmother, studying language, clans, kinship, tribes we talk about those invisible boarders, areas, like rocky area, sand dune area, I started to learn about knowledge, then I knew who I was, I was just a person before but now because of my grandmother I know who I am.

I do mapping, leadership, and governance. When I got all this knowledge from the Country from my Elders: mother Thelma (Judson) Yimiri area and my grandmother Kumpaya (Girgirba) Kunawarritiji side , Muuki and Wokka Kiriwirri area and Ngamaru (Bidu) Pitu side.  Then I really loved it, I have all the knowledge from them that I’m passing, now I’m doing my own program wama wangka (talking about alcohol).

I got nyniti (knowledge) from my grandmother for painting. I realised it’s better for my mind that I do painting, clear my mind and relax and keeps my mind focused, learn about country same time.

I’m a music man, started music with Wild Dingo Band and Parnngurr band, it’s about getting that band together, it feels good coz Martu people they like music in language, music is art, in the pujiman (traditional, desert dwelling) days they used to sing walking country. Wild Dingo Band do songs about wama (alcohol), kids, family, language, country and community we supporting and encouraging people to come back to community away from town and wama, same time its learning kids for their language.

Now I’m doing language in the schools too. My aim is two way learning teaching kids identity and to be proud of who they are. Kids are asking questions where am I from? Martu wangka sounds are different to English they got to know both to survive.

I’m also working in the justice system bringing government people to Martu people, to have a voice and partnership, a better future.  

I love what I do.”


© the artist / art centre