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Jila

The Western Desert term jila is used interchangeably to describe springs considered to be ‘living’ waters and snakes, both of which play a central role in Martu culture and Jukurrpa (Dreaming).

During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location of water sources. Of the many permanent springs in Martu Country, very few are ‘living waters’; waters inhabited by jila (powerful ancestral beings). Before they became snakes, these beings were men who made rain, formed the land and introduced cultural practices like ceremonies and ritual songs. Some of the men travelled the desert together, visiting one another, but they all ended their journeys at their chosen spring alone, transformed into a snake. These important springs are named after their jila inhabitant, guarding their waters. 

Some of the jila snakes are known by Martu as quiet and benevolent, others as dangerous and ‘cheeky’. Regardless of the nature of the inhabitant snake, jila sites must be entered respectfully; particular rituals are practiced, such as lighting fires, sweeping the ground with branches, approaching in single file, and calling out to the site’s jila to announce one’s arrival and introduce people who are new to the jila. Those who do not follow these guidelines are in danger of becoming sick, or even being killed.

Name: Pauline Williams


Language: Manyjilyjarra


Community: Kunawarritji


Biography:

"I was born in Jigalong. My mum used to paint and I started doing the painting with her. We painted her Country, and her mother's Country; [permanent springs] Wirnpa and Yimirri, the Jukurrpa (Dreaming) stories for that Country. It's in the Percival Lakes area. I've never been there but I know those places because of painting with my mum. Both sides I do painting. My Dad's Country is all around Kunawarritji (Canning Stock Route Well 33) rockhole. Sometimes I paint that area. 

I also used to paint with my two aunties; Rosie [Mantararr (Muntararr)] Williams (dec.) and [Muni] Rita Simpson (dec.), my mother's sisters. My mum and my auntie's painting, that's the one I'm doing now- but my style is a little bit different. I feel proud and happy when someone buys my painting. I love painting. I come in every day." 

- Pauline Williams 

 

Pauline Williams, daughter of renowned Martumili Artist Jugarda (Dulcie) Gibbs (dec.), began painting at a young age with her mother and two aunts, the late Rosie Muntararr Williams and Muni Rita Simpson. In her work, Pauline often depicts her father's Country around Kunawarritji rockhole, and her mother and grandmother's Country in the Percival Lakes area.

While very much guided by the traditional knowledge and technical skills of her relatives, Pauline has developed her own style- particularly with regard to her vibrant palettes she employs to reflect the diversity of colours in Country.

Pauline has exhibited in several notable exhibitions, including Revealed: New and Emerging WA Aboriginal Artists (Fremantle Arts Centre, WA), The Jury Prize (Port Hedland Courthouse Gallery, WA), Cossack Art Awards (Cossack, WA), and Desert Mob (Araluen Art Centre, NT).

 


© the artist / art centre