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Kapi (Water)

“Martu people know how to find water in the desert, they know the Country looks different where there is water under the ground.”

– Corban Clause Williams

Depicted in this work are sources of kapi (water) within the artists’ ngurra (home Country, camp), typically represented with circular forms. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

Name: Roxanne Newberry


Community: Punmu


Biography:

"My name is Roxanne Newberry. I'm from Warakurna [Aboriginal Community]. I've been painting for a few years now.  I was watching my sister, Cynthia Burke, and my mother, Jorna Newberry, paint. I'd sometimes help them with their painting.  It gave me some ideas for my painting. I love doing aerial landscapes of my father's Country. I was watching Cynthia weave at Tjanpi Desert Weavers, then I decided to do my own. When I'm painting or weaving I forget about everything and everyone, forget about my worries. It makes me feel like me."

- Roxanne Newberry


© the artist / art centre