111582386658

Published by on



Canning Stock Route Well 1-5

“When they were laying out the Canning Stock Route, whitefellas used to get Martu people to show them where the permanent water was. The whitefellas was asking Martu people to show them permanent water, like soaks and rockholes, for a shortcut from Wiluna to Billiluna. When the whitefellas found out where the permanent water was, they made wells in every place and they called it the Canning Stock Route. That was how they went cut-across.”

– Yanjimi Peter Rowlands (dec.)

 

Western Australia’s gold rush, beginning in 1885, created a huge demand for beef from mines located between Halls Creek and Wiluna. At that time, most of Western Australia’s cattle came from the Kimberley, though an infestation of tropical ticks among the East Kimberley herds gave the West Kimberley pastoralists a monopoly on the beef trade — causing prices to soar. A Royal Commission in 1904 proposed the construction of a stock route through Western Australia’s desert country to eliminate the ticks through exposure to its hot, dry conditions, resulting in the near 2000 kilometre Canning Stock Route. The proposal was successful insofar as the eradication of ticks was concerned; however, the establishment of the Canning Stock Route was to have far reaching repercussions for Western Australia’s Aboriginal population. 

The construction of the route by Alfred Canning and his team in 1910 resulted in first contact with Europeans for many Martu then living a pujiman (traditional, desert dwelling) life in the desert. This contact began with Canning’s use of Aboriginal guides to lead him to the sources of water that would be transformed into 48 stock route wells. Acts of cruelty toward these guides included, amongst other things, chaining them at night to prevent their escape and giving them salt water to drink, thereby ensuring their thirst and subsequent necessity to lead the party to water sources.

Following the construction of the Canning Stock Route, Martu encountered Europeans and other Martu working as cattle drovers as they would travel up and down the Stock Route from water source to water source. Increasingly, pujiman followed the route to newly established ration depots, mission and pastoral stations. They were drawn to the route in search of food, by a sense of curiosity, or by loneliness. By the late 1950s and early 1960s, most of the desert family groups had left the desert. Eventually, these factors combined with an extreme and prolonged drought in the 1960s to prompt the few remaining pujiman to move in from the desert. One of the last major migrations of Martu people occurred in 1963, when many of the pujiman born Martumili Artists moved to Jigalong.

Patterns of movement which had defined Aboriginal people’s relationships to Country were forever changed by the Canning Stock Route, but the Martu relationship with Country remains strong through the maintenance of physical and cultural ties to desert life and knowledge.

Name: Roxanne Anderson


Language: Manyjilyjarra


Community: Derby


Biography:

“My name is Roxanne Anderson. I was born in Barwidgee Station in the bush at a windmill called Top Mill. It’s 190 kilometres from Wiluna, southeast. My parents worked there at Barwidgee Station. My father was shearing and mustering sheep. My mother, she used to be the house lady, doing all the cleaning.

We stayed at the station with a lot of other families. My auntie used to look after us when my mum was at work. She learned [taught] us about hunting and gathering for bush tucker. We grew up there, we stayed there until we went into town on the Wiluna Mission in the 70’s, ‘till it closed in ’75 or maybe ’76. We got our education in Wiluna Mission, and on the holidays the boss lady from the station and my mum used to pick us up, but we wouldn’t hang around. We’d go back to the bush- learn about hunting and bush foods.

After Wiluna I was living with my auntie in East Perth, and I went to Carlisle Primary school. Then I went to Kalgoorlie Eastern Goldfield’s Senior High, stayed in a boarding place. I knew other people from Wiluna that was going there.

I got four childrens, my oldest is a son and the other three are my daughters. My son and my two youngest daughters all paint. They looked at me and learned. I got four grandchildren, three grandson and one granddaughter, little ones.

I had a lot of paintings in exhibitions. I also done a logo of the Birriliburu [Native Title] Determination on the t-shirts and cups. I even got a Canning Stock Route painting on one of those Headsox. They’re all over Australia, but most of them are sold. I paint about my Country, and the flowers on the Canning [Stock Route] and the colours are what you see when you’re travelling in the springtime when the flowers are out. I also paint about the Seven Sisters [dreaming].

My father was a painter, but he done oil painting, landscape. My sister Vera, she do dot painting, and I do dot painting too, and my sister Desrae [Anderson] and our brothers. I taught myself. I learned how to mix my colours and match. I like painting about Canning [Stock Route], Seven Sisters Jukurrpa (dreaming), and wildflowers. We tell our stories in the paint.”

 - Roxanne Anderson

 

Born on Barwidgee Station at the first well on the Canning Stock Route near Top Mill, Western Australia, Roxanne Anderson is of the Martu people. Coming from a long line of talented artists, she is experimental in her approach, developing her own style. Working in various colour combinations, Roxanne brings to life the traditional stories of the Martu people which is embedded into the depth and detail of her paintings. 

Roxanne's work was exhibited in the 2015 Revealed: New and Emerging WA Aboriginal Artists (Fremantle Arts Centre, WA), and selected by Headsox Australia to feature on their distinctive tube head and neckwear.


© the artist / art centre