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Ngurra (home Country, camp)

“It’s their home for them, real ngurra (home Country, camp). Real ngurra is where they been born and grow up.”

– Corban Clause Williams

The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. This knowledge is traditionally passed intergenerationally through family connections. Country for Martu is full of memory; not just the memory of their own movement through it, but also of their family. As summarised by Ngalangka Nola Taylor, “painting the ngurra, they do it to remember their connections.” 

Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical characteristics of that place, has today become an important means of cultural maintenance. Physical maintenance of one’s ngurra, like cultural maintenance, ensures a site’s wellbeing, and is a responsibility of the people belonging to that area.  

Name: Kristy Yanawana


Language: Nyangumarta


Community: Bidyadanga


Biography:

Kristy was born in Broome and moved around all different places growing up, "All over, so many places." Kristy grew up in Bidyadanga until she left at 18 to live in Beagle Bay, and currently resides in Newman. 

Having always loved art, Kristy started painting in Newman. She spent time painting with her brother, dad and little sister on their veranda, painting bush life. Kristy's favourite subjects to paint are wildflowers, animal tracks and ocean animals like stingrays, turtles and fish. She is the sister of artist Daniel Walbidi, who she says tried to teach her painting but she was too shy to learn. 


© the artist / art centre