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Ngalyod (Rainbow Serpent)

The third part of the story is Ngalyod. Kuninjku people say there are two Rainbow serpents. One is Yingarna, who is said to have been the original creator of all ancestral beings, the ‘first mother’. Yingarna’s first born is Ngaloyd. Yingarna, or her son Ngalyod, are a common subject on contemporary Kuninjku bark paintings. 


Ngalyod is very important in Kuninjku cosmology and is associated with the creation of all sacred sites, djang, in Kuninjku clan lands. For example, ancestral stories relate how creator, or ancestral beings, had travelled across the country and had angered Ngalyod who swallowed them and returned to the earth to create the site. Today, Ngalyod protects these sites, and its power is present in each one. 

Ngalyod has both powers of creation and destruction and is most strongly associated with rain, monsoon seasons and rainbows, which are a manifestation of Ngalyod’s power and presence. Ngalyod is associated with the destructive power of the storms and with the plenty of the wet season, being both a destroyer and a giver of life. Ngalyod’s power controls the fertility of the country and the seasons.

Name: Jennifer Wurrkidj (dec)


Language: Kuninjku


Community: Maningrida


Biography:

J. Wurrkidj was a highly regarded textile artist who started working at Bábbarra Women’s Centre in 2007. Her print designs featured local bush foods and food-collecting devices such as kunmadj (dilly bag), mandjabu (fish trap) whilst also referencing the activities of ancestor beings and the ceremonial sites of her homeland, Mumeka.

J.Wurrkidj also created artwork for Maningrida Arts and Culture alongside other members of her family who were also accomplished artists: her mother, H. Lanyinwanga (Dec), sister Deborah Wurrkidj and daughter Abigail Namundja. She was the daughter of Australia’s most highly acclaimed bark painter, John Mawurndjul, and renowned, in her own right for her bark paintings, hollow logs and carved sculptures. Her artwork has been exhibited throughout Australia and her textile works are in the collection of the Art Gallery of South Australia, CDU, Bendigo Art Gallery, National Museum of Australia and has been touring internationally with Jarracharra (dry season wind) since 2019.

In her later years she focused her arts practice on mentoring her daughter Abigail Namundja who printed her lino designs in her capacity as an arts worker at Bábbarra Women’s Centre.


© the artist / art centre