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Coil Basket

Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups. 

Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus fibre that is dyed with natural pigments. Bundles of fibre are formed into coils which are covered and stitched together with strands of fibre threaded onto a needle. Artists combine colours and patterns to obtain intricate new graphic patterns.

These techniques are believed to have been introduced to Arnhem Land by Greta Matthews, a missionary on Goulburn Island in the 1920s. She had probably learnt coil basketry from Aboriginal people in the south-east of Australia, possibly the Murray River people such as the Yorta Yorta or the coastal Ngarrindjeri. 

The coiling technique spread quickly from Goulburn Island to people on mainland Arnhem Land. 

 

 

Categories: Maningrida Arts & Culture

Name: Doreen Jinggarrabarra

Language: Burarra (Anbarra)

Community: Maningrida

Biography:

Doreen Jinggarrabarra is a leading fibre artist at Maningrida Arts & Culture. After watching her mother Elizabeth Mipilanggurr during her childhood, Doreen began weaving in her early 20s. Jingarrarrabarra specialises in conical dilly bags (burlupurr), woven string bags and mats. She uses a range of natural fibres,  including pandanus, mirlarl (jungle vine/malaisia scandens), sedge grass and kurrajong. Unlike most West Arnhem weavers, she does not dye the fibres with natural pigments, preferring the subtly of the natural variations in colour and tone. She is renowned for her fine weave and intricate designs, which she attributes to learning from her mother. 

She is the Traditional Owner of the fish trap and confers approval to those artists who seek to produce these objects or depict the motif in their paintings. She is a cultural leader in her community, teaching younger generations of weavers and also regularly leads demonstrations and tours for visitors and tourists at the Djomi Museum and MAC. She also works closely with linguistics and academics who study Burarra language and Anbarra dialect.

Her works are held in important public and private collections, including the Museum of Contemporary Art, Sydney.

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