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Ngalyod (rainbow serpent) and Mimih

This fabric was created using the linocut fabric printing technique, which has been refined at Bábbarra Women’s Centre since it was introduced in the mid-1990s.

The Lino tile is carved by the artist at Bábbarra Designs. It is printed on fabric by hand using a variety of colours and layers. The linocut technique ensures each textile is a one-off, limited edition piece.

The fabric is colour-safe and can be thrown into a washing machine. Repeated use will soften the fabric, and some fading will occur over time. 

Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

‘Themes in our artwork almost exclusively come from our Country and cultural connection. Our deep relationship with the land and seas of our customary clan estates strongly defines and governs the social, cultural, spiritual and territorial aspects of our lives.’

Bábbarra Designs Artist Statement

Name: Janet Marawarr


Language: Kune, Kuninjku


Community: Maningrida


Biography:

Janet Kalidjan Marawarr is a senior Kuninjku artist from Maningrida in central Arnhem Land, with a textile practice spanning almost 40 years at Bábbarra Women’s Centre. She comes from a strong family line of Kuninjku artists; her grandfather and her late husband’s father were pioneers of the Kuninjku dolobbo (bark painting) movement. Marawarr works across bark painting, lino printing, and screen-printed textiles, carrying the stories between media using colour, motifs and rarrk (cross hatching) to express her djang (ancestral creation stories).

Janet began printing at Bábbarra as a young woman, learning through observation. Her , draws on knowledge passed down through her family and elders, while also engaging with new materials and processes. As Janet explains:

“… I tell the same stories from bark painting to lino and screen. I can’t change anything, no.. The stories it’s all the same, we’re painting the same stories every single time. Bininj [Indigenous People] we are smart, we know already inside our brain and our heart what we can paint. Singing, painting, dancing, ceremony, it’s all tied together, it’s now and it’s our future.”[i]

Janet’s work has been shown nationally and internationally. In 2019, she travelled to Paris to launch the touring exhibition Jarracharra (Dry Season Wind) of which her textile designs were prominent. In 2022, her textiles were included in Aboriginal Screen-Printed Textiles from Australia’s Top End at the Fowler Museum, UCLA, Los Angeles. In 2021, Janet travelled to Aotearoa/New Zealand as part of a Māori Leadership and Global Trade Summit at Parliament House, where she met with Māori leaders and social enterprises working across business, governance, and culture.

In January 2023, Janet was invited by the Australian Consul-General in Kolkata to visit India as a guest of honour. During her visit to West Bengal and Odisha, she shared knowledge with women’s textile collectives including the Bridging Culture and Art Foundation’s Kantha studio in Tushkhali, Sadaf India Studio, and the Navajeevan Co-operative Society.

Beyond her art practice, Janet is a certified translator and a Director of Bawinanga Aboriginal Corporation, as well as a member of its Arts and Culture Sub-Committee. She is also a Director of Nja–Merleya Aboriginal Corporation. Janet continues to play an important role at Bábbarra Women’s Centre, supporting the passing on of knowledge across generations through her art and leadership.

[i] Janet Marawarr in conversation with Ingrid Johanson in essay, Daluk. Ngarribekkan.., in publication Manburrba ‘Our story of printed cloth from Babbarra women’s Centre, CDU Press, 2023

 


© the artist / art centre