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Kubumi

Kubumi is a sacred site on the Mann River. Anniebell Marrngamarrnga is the Djungkay (ritual manager) of this place, her mother’s country.

In the creation time, Ngalyod (the Rainbow Serpent) pierced the rock at a place called Bolerrhlerrh and journeyed downstream from there to Ngalmalanj, where the serpent was blocked. She pushed down into the riverbed, pushed into the earth, sinking down forever. Now she lives under the rocky riverbed.

The camping place Kubumi is downstream from Ngalmalanj. During the dry season, the Mann River shrinks to a chain of deep waterholes, exposing the tunnels through the rocky outcrop that interconnect the pools. At Kubumi live the Ngalkunburriyaymi, mermaid-like water spirits. In the distant past, they camped on the sand and were attracted to the freshwater, swimming there. Ngalyod, the Raibow Serpent, pulled them into the ground, through the rock holes.

Today they live within the river; at times they leave their aquatic homes to walk about on dry land, particularly at night. Sometimes they are called ngalberddjenj, which literally means ‘the woman who has a tail like a fish’. Their long hair is associated with trailing blooms of man-bak (green aglae) found in freshwater streams and rock pools.

Known for her intricately woven Yawkyawk and other figurative ancestral forms, Anniebell expands her practice in this work to encompass Kubumi itself — presenting the sacred site as a living, inhabited landscape shaped by Birlmu (barramundi), Nawarlah (brown river stingray), and the Ngalkunburriyaymi.

Name: Anniebell Marrngamarrnga


Language: Gun-nartpa, Kuninjku


Community: Maningrida


Biography:

I learnt how to weave from my mother, Nancy Djulumba, who passed away a long time ago [1995]. I first made coiled baskets, twined bags and string bags. I then learned how to paint from my husband [Dick Nadjolorro].

My favourite subject is the yawkyawk ngalkuburriyaymi, female spirit, who lives in the water at Kubumi. It is my husband’s Dreaming. I represent her in my bark paintings, in my timber carvings and also in my weaving.

I came with the idea to make flat yawkyawk from pandanus [Pandanus spiralis]. First I build the bamboo frame and I then weave with colourful pandanus in the same technique I used when making twined bags. I use lots of different colours and I like it. Colours are important in my work.

-  Anniebell Marrngamarrnga, interview by Apolline Kohen at Maningrida Arts and Culture, 12 February 2007


© the artist / art centre