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Published by on July 31, 2026

Kiwirrkurra

Kiwirrkurra is a rockhole located in the tali (sandhill) Country of the Gibson Desert, to the south west of Lake McKay. An Aboriginal community by the same name is now located nearby, to the west of the water source.

Kiwirrkurra lies just east of Marapinti rockhole, an important site in the Minyipuru (Jakulyukulyu, Seven Sisters) Jukurrpa (Dreaming) narrative. At Marapinti the travelling women danced and pierced their noses, a practice also known as marapinti. Today the Minyipuru can be seen at Marapinti as a group of rocks, sitting up like women.

Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following the women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Marlene Anderson

Language: Manyjilyjarra

Community: Jigalong

Biography:

“My mother and father were from Wiluna area. I was born out in the desert, Melrose Station near Wiluna. My mum and dad were working on the station there then. I did my schooling there, but I moved to Jigalong as a young girl, then had my first child there. I’ve got three children and a step son too.

[I started painting ] in Jigalong, one day at that little art shed there when Gabrielle [Sullivan, inaugural manager of Martumili Artists] was still the manager. When I shift to Newman I started painting in that old centre sometimes.

One day at this new [art centre] building I just started coming in with Anya [Judith Samson]. She was giving me a little bit of advice, saying I should come in and do something! I just started doing it then, doing it more and more. It’s good to paint. I was looking at other people that paint, seeing their paintings get sold, so I thought “Oh yeah, I’ll start then!” It’s fun. I couldn’t stop painting now, I’m painting every day!

I tried every painting style. Now I found this different way to paint, doing the dot paintings, and this is the one I like most. It’s relaxing! I use a long stick. I paint all the different colours I see out in Country. I like to paint about all the bush foods and wildflowers. We go out getting honey ants and bush potatoes from the ground and bush bananas on a tree, hunting for goanna.

I work with KJ [local ranger group, Kanyirninpa Jukurrpa), take the kids out Country, out in the bush. ‘Kids on Country’ we call it. It helps them to go out Country. When they go out and see the countryside and the bush, makes them feel a bit happy and like they want to go out more and more. I help take them out to track a goanna, take them right up to the hole and they dig it out. Any kids can come- like eight (years), ten, twelve, fourteen… We work with the ones who wander around in Newman, who aren’t going to school. Some kids don’t like going to school- their parents send them to school but they go around another way. It’s important for them to learn the traditions from their old people so they can be proud of themselves. I paint about the same things they learn out on Country; going and getting the honey ants, goanna, bush tomatoes and bush berries. I also do patrol at night with the women’s shelter to help the kids, help [their] families. They need someone like me to go out and help them and take them home.

I’ve had my painting in the gallery here in Newman. That felt good to see my painting on the wall. I feel happy and proud when someone buys one of my paintings.”

- Marlene Anderson

Marlene Anderson has painted with Martumili Artists for over a decade, beginning at a 2010 workshop in the Jigalong art shed. Today she is one of Martumili’s core artists, painting daily from her home or the Newman studio. Her style is marked by an intuitive approach to composition, colour palettes, and variation in mark making to create bold and dynamic works. In 2023, her work was featured in Revealed: New and Emerging WA Aboriginal Artists, and in 2025 she was a finalist in the prestigious Telstra National Aboriginal & Torres Strait Islander Art Award (NATSIAA). Through painting and her work with Kanyirninpa Jukurrpa’s 'Kids on Country' program, Marlene fosters pride and connection to Country for future generations.

© the artist / art centre