CompNet Systems

Untitled “I come to Martumili to paint about my Country, where my grandfather walked around and collected food, and visited the same rockholes I do. I paint to keep my culture and stories strong, and share with others.” – Tamisha Williams   Tamisha is part of the youngest generation of Read more…

Untitled “I come to Martumili to paint about my Country, where my grandfather walked around and collected food, and visited the same rockholes I do. I paint to keep my culture and stories strong, and share with others.” – Tamisha Williams   Tamisha is part of the youngest generation of Read more…

Untitled Montana is part of the youngest generation of Martumili Artists. She, like her contemporaries, began to paint with her parents, grandparents and extended family, thus fostering an organic process of learning, not only about painting techniques, but also specific locations, family histories, traditional ways of life, and Jukurrpa (Dreaming). In this Read more…

Untitled Montana is part of the youngest generation of Martumili Artists. She, like her contemporaries, began to paint with her parents, grandparents and extended family, thus fostering an organic process of learning, not only about painting techniques, but also specific locations, family histories, traditional ways of life, and Jukurrpa (Dreaming). In this Read more…

Untitled This is Ngamaru’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…