Kathleen Nanima Rambler – My Fathers Country I paint the country of my Father and Mother and where they grew up, near Barrow Creek. This is the painting of my Father’s country, where I grew up. When we would go hunting, we always climbed those hills. We would take the Read more…
Wildflowers at Kulyakartu “Kulyakartu is my ancestor ngurra (home) through my grandmother and my great-great-grandfather and grandmother. Going out on Country with Nola and Muuki and hearing their stories of Kulyakartu touched my heart — listening to them talk about travelling through Kulyakartu with their mum and dad. It was Read more…
Country “My mother’s, my great-grandmother’s and my grandfather’s Country. When we go out on Country, you can feel Country — and Country feels you. I feel blessed for such a beautiful Country. It’s emotional, hearing stories about my old people. I love painting desert colours because that’s where our old Read more…
Kungkarrangkalpa (Seven Sisters) ‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion). The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one Read more…
Mun-dirra (fish fence) Mun-dirra, in Burarra language, means “fish fence”. Mun-dirra were traditionally made by men using coastal sedge grass called gurdagarra and were designed to fence in schools of fish in ocean shallows or riverbeds. They were used in conjunction with conical traps, called an-gujechiya, which are woven with mirlarl, a hardy jungle vine, and burdaga, Read more…
Bark Painting Bark paintings have a long cultural tradition, believed to extend back many thousands of years. In northern Australia, the walls of bark shelters in the Kimberley and Arnhem Land may well have been painted to convey and illustrate stories in the same way that rock shelters were. Bark painters in the Maningrida Read more…
Coil Basket Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups. Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus Read more…
Coil Basket Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups. Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus Read more…
An-gujechiya (Fish Trap) To make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists Read more…
Yawkyawk Yawkyawk is a word in the Kunwinjku/Kunwok language of Western Arnhem Land meaning ‘young woman’ and ‘young woman spirit being’. The different groups of Kunwinjku people (one of the Eastern dialect groups call themselves Kuninjku) each have Yawkyawk mythologies, which relate to specific locations in clan estates. These mythologies Read more…