CompNet Systems

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Namurre Boko

A two colour screen print design from 2022. Jay’s first large format design to join the Bábbarra Designs Collection.

‘This is my first one, I’m really happy, I’m proud. It’s just a songline for everybody. This story is from my great great grandfather on my fathers side. The songline was made by my second father. The mimihs tell the story. The painting took a long time, a few weeks to finish.’ Jay Jurrupula Rostron

‘Bini-murreko means two brothers – big brother and little brother.

Two brothers were really strong leaders and good hunters, sharing animals with different tribes.
With those different tribe there were jealousy going on.
Little brother went walkabout and heard the different tribe was talking about his tribe.
They said ngarribin manre djed-djedme bokko
Meaning: will make spear for them
Ngarrbin danj-bun, ngarrbinbun
Meaning: will spear them kill them
little brother turn around went back tell his brother
Namurre bokko kadi marne djed-djedme Karre wonens, kardi-djal danjbun
Meaning: they making spear for us, they gonna spear us
Couple of months they saw different tribe
They changed their attitude
They been bringing lots of animals to them and start asking for women
And that tribe realise that’s how those brothers died.
They kill them
This Why? They got jealous because two brothers was a good hunter.

This story written on the rock art and it stays forever.’

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Marebu

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Barnkabarra (Mud Crabs)

This design tells the story of Elizabeth’s homeland – a dreaming place, a good dreaming place with plenty of Barnkabarra (Mud Crabs). Elizabeth’s homeland lies east of Maningrida, at the mouth of Blyth river. This country is known for a large spiritual mud crab, which lives in the area.

Many families go and collect crabs to eat there with long sticks, or collect directly from the shores. Mud crabs hide in the muddy bottoms of estuaries and mangrove forests in areas surrounding Maningrida. After a king tide, a large cyclical tide which bring the crabs out from the mangroves, it is a good time to find crabs.

Barnkabarra (mud crabs) in Kuninjku language, or Rrugurrgurda (mud crabs) in the Burarra language, are good baladji (bush food in Burarra) and can be caught all year round. They are put on the fire to cook and they are ready when they turn a bright orange colour.

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Lady Dreaming

‘Lady Dreaming is near the three palm trees, Ngarndúma on the Arnhem highway. One of the mermaids is called Jilapara and the other is Lilima – they are two sisters. My husbands grandmother knows this story. She’s like djomi but different. This one is big and fat, djomi is small. they all make babies. This one – the long one came all the way from Ramingining. They were travelling and they are there forever. It’s an old fashioned story, we can talk about it.’ Verity Bangarra 2023

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Marebu

Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. She is an accomplished artist working across mediums including painting, sculpture, weaving and textile design. For this design, Deborah Wurrkidj has depicted Marebu (woven pandanus mats).

Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.

Artists weave many different kinds of mats. Conical mats were traditionally used to shield babies from mosquitoes. Long flat mats were used for blocking creeks so that fish would be diverted into fish traps. A small triangular mat made of pandanus fibre used to be worn by women during ceremonial gatherings, tied around their back and covering them at the front. Mats are also used for wrapping and rinsing food in water.

Artists usually use kundayarr, pandanus spiralis, to weave decorative round or oblong mats, as well as the less common triangular and conical shapes. Weaving is physically hard work, now done only by women. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate.

The radial woven patterns of the finest round mats appear to vibrate with colour, sometimes regarded as an aesthetic manifestation of deep cultural meaning, as there is a significant spiritual dimension to pandanus mats.

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Marebu

Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. She is an accomplished artist working across mediums including painting, sculpture, weaving and textile design. For this design, Deborah Wurrkidj has depicted Marebu (woven pandanus mats).

Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.

Artists weave many different kinds of mats. Conical mats were traditionally used to shield babies from mosquitoes. Long flat mats were used for blocking creeks so that fish would be diverted into fish traps. A small triangular mat made of pandanus fibre used to be worn by women during ceremonial gatherings, tied around their back and covering them at the front. Mats are also used for wrapping and rinsing food in water.

Artists usually use kundayarr, pandanus spiralis, to weave decorative round or oblong mats, as well as the less common triangular and conical shapes. Weaving is physically hard work, now done only by women. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate.

The radial woven patterns of the finest round mats appear to vibrate with colour, sometimes regarded as an aesthetic manifestation of deep cultural meaning, as there is a significant spiritual dimension to pandanus mats.

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Jelly Fish

Joy made this design as a waring to all the kids.. ‘don’t go into the water during Jelly fish season!’ 

Joy 2023

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Marebu

Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. She is an accomplished artist working across mediums including painting, sculpture, weaving and textile design. For this design, Deborah Wurrkidj has depicted Marebu (woven pandanus mats).

Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.

Artists weave many different kinds of mats. Conical mats were traditionally used to shield babies from mosquitoes. Long flat mats were used for blocking creeks so that fish would be diverted into fish traps. A small triangular mat made of pandanus fibre used to be worn by women during ceremonial gatherings, tied around their back and covering them at the front. Mats are also used for wrapping and rinsing food in water.

Artists usually use kundayarr, pandanus spiralis, to weave decorative round or oblong mats, as well as the less common triangular and conical shapes. Weaving is physically hard work, now done only by women. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate.

The radial woven patterns of the finest round mats appear to vibrate with colour, sometimes regarded as an aesthetic manifestation of deep cultural meaning, as there is a significant spiritual dimension to pandanus mats.

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Lady dreaming and swordfish

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

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Mábbarla (Jelly Fish)

Mábbarla means Jelly Fish in Ndjébbana.

‘My homeland is Entrance island, Haulround island and Juda point. I really like Haulround island and that’s where we collect barruar (seagull egg). Entrance island is my favourite camping area, I go across with boat. Balanda (non-Aboriginal or European people) can’t go into those islands or Juda point without permission from me. We have a sacred totem ngaduma (palm tree) at those places and if people destroy it, we will have a strong wind and maybe a cyclone.’ Marilyn James 2021