Ngayuku Walka / My Design
Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
Stories are told of the Kaliny-kaliny or Honey Grevillea flower which is a favourite bush food of the Anangu Pitjantjatjara (people). Ultukunpa grows in the sandy soils on the plains. The flowers can be picked and placed in a billycan of water to create ‘honeywater’ (cordial) or they can be sucked for their sweet honey dew.
There is a story of deep significance to women which contains metaphorical references to female cycles. It tells of two women travelling north. The pair meet with a group of women, including Kutungu, who are caring for a man who then passes away. They then travel to the area known as Mantaruta, near Uluru, where they chase a curious wanampi (serpent) deep into the ground while trying to catch him. They burn their body hair to attract him and hit him on the head and run away. From afar they throw a manguri/traditional head-ring for carrying which also hits him. He then comes and hits the women who travel on bleeding and hurt.
For the Pitjantjatjara people living in the desert, knowledge of their water sources was critical to their survival. This resulted in an intimate understanding of the landscape which continues today. Water is an essential element in the desert. These rock holes were particularly important during the dry season when most of the water holes and creeks dried up. Deep familiarity with the topography of their country and the way rain would interact with the land ensured constant sources of water could be found. Knowledge of rock hole sites is passed on from generation to generation and revered by all Anangu (people).
Tjukula means rock-hole, which are found with surprising frequency in the Musgrave Ranges and country around Ernabella. Between visits, Anangu would use a construction of rocks and spinifex to guard these important water sources from spoilage by feral and stock animals such as cattle, camels, horses and donkeys.
Kungkarangkalpa means the Seven Sisters. This is an extensive creation story that relates to the Pleiades constellation in the southern hemisphere. The story traverses Australia taking on different forms, however local women are privy to the part of the story which takes place in the country near Ernabella. For this part of the story, the man called Nyiru is chasing the sisters as he wants to sleep with the oldest sister. All the younger sisters are deeply afraid of him. As Nyiru is chasing the sisters, he tries to catch them by using magic to turn himself into the most tempting bush tomatoes for the sisters to eat and the most beautiful ili (fig) tree for the sisters to camp under. However, the sisters are aware of his magic and go hungry and run through the night rather than be caught by Nyiru. Eventually, to escape Nyiru, the sisters fly into the sky where they turn into stars and form the constellation.
Freddy is painting his grandfather’s country in far west South Australia. He depicts kulata tjuta (many spears) travelling through the sky to catch wati wanampi (snake man). Those wati wanampi are moving fast through the sky. There was one woman waiting there with a baby and she said there was a wati who was nearby hiding in a bush, ready to duck down and go and then throw those spears.
Kungkarangkalpa means the Seven Sisters. This is an extensive creation story that relates to the Pleiades constellation in the southern hemisphere. The story traverses Australia taking on different forms, however Freddy’s part of the story is from his father’s country west of Atila (Mt Connor). For this part of the story a man called Nyiru is chasing the sisters as he wants to sleep with the oldest sister. All the younger sisters are deeply afraid of him.
Nyiru makes kulata tjuta (many spears) and leaves them leaning up against a tree. When the sisters are travelling they find the spears resting there and realise that the wati kura (bad man) is nearby. They get frightened and run away. Eventually, to escape Nyiru, the sisters fly into the sky where they turn into stars and form the constellation.
Art Centre notes:
The basket / bag is made of natural raffia / cotton / jute / sea chord.
It is made using a traditional ‘one twist’ method. It has a thin / thick plaited strap and long tassles underneath. It has long tassels above and/or below.
The dyes are commercial and colour fast.
Size of bowl: 10 x 11cm
Length of strap: 40cm
Art Centre notes:
The basket / bag is made of natural raffia / cotton / jute / sea chord/ seeds.
It is made using a traditional ‘one twist’ method. It has a thin / thick plaited strap and long tassles underneath. It has long tassels above and/or below.
The dyes are commercial and colour fast.
Size of bowl: 10 x 15cm
Length of strap: 40cm
Art Centre notes:
The basket / bag is made of natural raffia / cotton / jute / sea chord.
It is made using a traditional ‘one twist’ method. It has a thin / thick plaited strap and long tassles underneath. It has long tassels above and/or below.
The dyes are commercial and colour fast.
Size of bowl: 13 x 16cm
Length of strap: 40cm