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Kunwardde dja Karrbarda (Rocks and Yam Vine)

Susan Marawarr is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. In this design, she has depicted karrbarda (long yam) on her traditional country, the kunwardde (stone country).

The large stones represent the kunwardde rocky outcrops, which are elevated above the flat floodplains. The vines creeping around the large rocks are from the karrbarda. Women dig up karrbarda with kungarrndutj (digging sticks) and they are then cooked in the ashes of the fire to be eaten.

These yams are purple on the saltwater side of country and on inland freshwater country they are white. Karrbarda are an important manme (bush food) that are collected during the wet and dry seasons.

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Michelle Pula Holmes – My Country

When I go out hunting I always like to see the colour in the trees, the light, the dark and the bush medicine plants growing on the sand hills. The colours change at sunrise and sunset. I like hunting and seeing my country.

I love to paint since childhood. My paintings show my deep love for my country and the beauty I see.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Rita Pitjara Beasley – My Father’s Country

“This is my Father’s country.

This place is our hunting place. I always go with my daughters and their children, I show them this place and teach them about the swampy country. We hunt for goannas, bush potato, bush tomato and after the big rain the bush medicine is picked and the roots are dug up to be used.

It is important as my mother taught me this and now I teach my family.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Nancy Pitjara Frank – Bush Flowers

I was born in the bush at Ammaroo Station, along the Sandover.  I have never seen the ocean or a big city. My mother and father were strong healthy people who taught me and my younger sister Rita the traditional way to hunt for Kangaroo, Goanna and Porcupine. 

We know how to gather bush tucker (secrets of the earth) and bush medicine plants.  My mother used grinding stones to make seed damper.

When I paint I think about good memories, being a young girl and walking through the land.  My mother made paint from two stones and showed us ceremony painting and how to sing and dance for ceremonies.  I still sing and dance and collect the bush medicines, I like to make tea from the small purple flowers of Arreth (hill fuchsia).

Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.

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Janella Kemarre Ross – Summer Bush Tucker

During the Summer months kedgadrr (bush tomatoes) and il quarldrr (bush banana) are especially bountiful at this time of year, bush foods that are found in Alyawarr country, the land of the people of Ampilatwatja.

Communicating bush foods through painting is an important way of teaching younger generations and maintaining a strong culture.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Leanne Teece – Anterrengeny – My Father’s Country

Anterrengeny is my Father’s country. I paint the country that I come from, the beautiful landscapes and the many colours as they change during the session.

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Colleen Ngwarraye Morton – Hunting

Colleen is one of the original artists in the Utopian batik movement in the 1980’s and has been successfully painting ever since.

Colleen’s paintings often depict her Grandfather’s country where her family have hunted for many years. As a child she was taught about the seasonal bush medicines and plants that grew there and how to gather them. “When I was a little girl I would go and collect the seed from the altywart grass with my grandmothers. They would teach us how to hang on to the tree and grind the seeds with our feet. We would carry the seed in our coolamon back to the camp, then make damper, cook it on the fire and eat with our families”.

The elders would teach the importance of looking after country and that the sacred ancestral spirits watch over and protect the animals and plants. Her Mother and Grandmother taught her about bush medicine, a topic that is especially important to Colleen and is expressed within her paintings.

The layers of Colleen’s paintings are as detailed and complex as the stories she paints. Her paintings help to keep her culture strong and keep the stories alive to be shared and used to educate current and future generations. 

 

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Elizabeth Ngwarraye Bonney – My Grandmothers Country

I still hunt my Grand Mothers country for goanna, bush medicine and yams.

I hunt all year round, hunting and walking through the country makes me happy.  When I look at the distant hills I can feel my grandmother.  Bush flowers are everywhere.

Painting and printing my grandmother’s country reminds about those times.

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Beverly Pula Luck – My Mother’s Country

Beverly paints her Mother’s country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.

The knowledge of the bush plants has been handed down through generation to generation and Beverly still spends time hunting and collecting bush medicine plants to use in everyday life.  Taught by her mother and grand mother, Beverly also sings the songs of the bush medicine plants. 

Beverly’s paintings are joyous and full of information regarding bush medicine plants.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Kindy Kemarre Ross – Irrultja is My Country

My country is called Irrultja, it’s past the hill and the dried-up creek from here, it’s a nice place, my dad’s country too, and my Mum’s country is here in Ampilatwatja. When I go to see my country, we always go to gather bush medicine, we always climb up the hill that’s in the south, we always go there.

We like to look out over the land and there are lots of flowers and bush medicine up there. I love my countryside; I see the nice flowers and gather bush medicine for me and my family. I like to paint a mix of wildflowers and bush medicines in all my paintings because it reminds me of my favourite part of my country and when it rains the flowers come out. Yeah, my countryside.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.