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Maza (reef) 1,2 and 3 Hidden within the ocean between Thursday, Hammond and Moa Island lies 3 great Maza (reefs). When the tide bares its lowest, traversing the seas become incredibly difficult as now these great pillars of reef stand as large barriers for the boats to navigate through. Art Read more…

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Caught in the current This piece is of the great Hammer head who surveys the waters of Torres Strait searching its next meal. But even the Hammer head has battles against turbulent currents. Luckily the great Hammer head is known to evaded the currents and continues on its hunt. Art Read more…

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Banumbirr- Morning Star Ceremony by Burruna Banumbirr – Morning Star Ceremony (Dhuwa moiety) The Morning Star Ceremony is from the Dhuwa moiety. I have painted the ceremony here. It’s got leaves from the banyan tree (ficus virnens) that makes figs for people to eat – they are part of our Read more…

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Kungkarrangkalpa Indulrungkalpa (seven sisters, Bush medicine) – Anawari Mitchell In Kungkarrangkalpa Indulrungkalpa (Seven Sisters Bush Medicine) Anawari intertwines the Seven Sisters narrative with the art of making bush medicine. Depicting special leaves and shrubs with the circular technique used to skilfully brew into tea or crafted into rubbing ointment. Anawari Read more…

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Yawkyawk in Stone Country Yawkyawk is a word from the Aboriginal Kunwinjku/Kunwok language, meaning ‘young woman’ and ‘young woman spirit being’. Sometimes compared to the European notion of mermaids, yawkyawks are usually depicted with the tails of fish. They have long hair, associated with trailing blooms of algae, typically found Read more…

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Medigi (Paperbark Mosquito House) This painting is inspired by a larger artwork by George Milpurrurru (dec.), which in turn was inspired by photographs taken by anthropologist, Donald Thompson.  During the wet season, Aboriginal people lived in a circular paperbark house like a large igloo in which a fire was kept Read more…

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JB Fisher – Wuldulbal/badju (bream) JB paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally, and JB would have learnt these stories from his ancestors. The cross-hatching style is a traditional painting style of this area and can represent elements such as water, Read more…

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Minyma Kutjarra – (Two Sisters) ‘Minyma Kutjara’ (Two Ladies), is a popularly depicted story by women from the Ngaanyatjarra Lands. The painting has different chapters depending on where the artist is from and the inherited story of their ancestors.  we see the ladies sitting together at their camp situated among Read more…

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Kungkarrangkalpa Indulrungkalpa (seven sisters, Bush medicine) – Anawari Mitchell In Kungkarrangkalpa Indulrungkalpa (Seven Sisters Bush Medicine) Anawari intertwines the Seven Sisters narrative with the art of making bush medicine. Depicting special leaves and shrubs with the circular technique used to skilfully brew into tea or crafted into rubbing ointment. Anawari Read more…

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