Status: Stock
This beautiful tote bag features work by Keturah Zimran, and has been made with our ethical partners, Better World arts.
The ancient Australian landscape with it’s eroded forms and organic shapes provides motivation for Keturah’s art. In this work Keturah depicts the natural rock formations (puli) found in and around Haasts Bluff.
Status: Stock
This beautiful tote bag features Mitjili Naputtula’s artwork, ‘Watiya Tjuta’, and has been made by our ethical partners, Better World Arts.
Mitjili paints the Watiya Tjuta tree. Mitjili’s style is unique and recognisable. The Watiya Tjuta in Mitjili’s paintings is her father’s Tjukurrpa (dreaming) in Ilyingaungau country (Gibson Desert). This was passed down to her by her mother, Tjunkayi Napaltjareri when story telling, using the same to draw the story as it is told in the traditional way. She remembers “…After I got married, my mother taught me my father’s Tjukurrpa in the sand, that’s what I’m painting on the canvas”, a women’s interpretation.
Status: Stock
This beautiful embroidered leather shoulder bag features Mitjili Naputtula’s artwork, ‘Watiya Tjuta’, and has been made by our ethical partners, Better World Arts.
About the Artwork
Mitjili paints the Watiya Tjuta tree. Mitjili’s style is unique and recognisable. The Watiya Tjuta in Mitjili’s paintings is her father’s Tjukurrpa (dreaming) in Ilyingaungau country (Gibson Desert). This was passed down to her by her mother, Tjunkayi Napaltjareri when story telling, using the same to draw the story as it is told in the traditional way. She remembers “…After I got married, my mother taught me my father’s Tjukurrpa in the sand, that’s what I’m painting on the canvas”, a women’s interpretation.
Better World Arts
Has been operating for over two decades.
They work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees). They work with Australian Aboriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities.
Better World Arts are endorsed members of the Fair Traders Association of Australia and New Zealand.
Status: Stock
This design by Lisa Multa depicts the birds eye view of the tali tali (sandhills) at Kungkayunti (Brown’s Bore). This is the country of Joe Tjakamarra Multa, the father of Douglas Multa, Agnes Multa, Lisa Multa, Alison Multa, Rephina Multa, Benita Multa and Patricia Multa and the grandfather to their children. The tali tali are a short walk from where the family lived and the children of Joe grew up.
Lisa remembers walking up the tali tali with her sister, Agnes Multa, who was the same age as her. When Lisa got married she brought her partner to see those tali tali. From the tali tali, a 360-degree view can be seen of the surrounding country. The area is abundant with bush tucker, especially bush tomatoes and bush banana.
Kungkayunti is an important place for the travelling Tjukurrpa of the ancestral Arrernte women who travelled 600 kms from Ntaria (Hermannsburg) to Kintore, past Kulpitarra (Outstation) to attend to women’s business. Kungkayunti is the place where the women first camped. On their long journey, the women stopped at Kunkayunti (Brown’s Bore) to camp, rest, eat and dance. When the women reached their destination, they danced, shared their stories and renewed their law. Those women turned into stone and can be seen today. Annual events continue today to strengthen this Tjukurrpa.
This fabric has been screen printed by hand by Publisher Textiles and Papers, ensuring the highest quality and longevity.
About the printers:
Publisher Textiles & Papers is one of Australia’s leading print houses. Focused on producing original patterns through traditional hand-screen printing methods we create bold and colourful textiles, hand printed wallpaper, clothing and fabric.
Our fabric is printed in small batches and is available in pre-cut lengths on the website, which we update regularly. For larger quantities, please email us to discuss pre-orders.
This fabric is by continuous metreage going up in 50cm increments, priced at $110 per metre.
For 1m, please add 2 x 50cm to your cart and it will be cut as a continuous length ($110 for 1m).
For 2m, please add 4 x 50cm to your cart and it will be cut as a continuous length ($220 for 2m).
For 3m, please add 6 x 50cm to your cart and it will be cut as a continuous length ($330 for 3m).
About the fabric:
A classic linen cotton blend used for dresses, skirts, pants etc. Also ideal for patchwork quilts and other craft projects.
Composition55% LINEN / 45% COTTON
Weight (gsm)200
Width (cm)137
Finish: STANDARD
Care Instructions:
Hand wash, line dry, do not bleach, wash separately, warm iron, do not soak. The ink has been heat set for longevity, however please take care when washing (wash garments inside out if possible).
Status: Stock
Watiya (tree) Tjuta (many) is the artist’s iconic rendering of her late father’s Tjukurrpa (Dreaming). In this design, the artist depicts the ceremonial spear straightening in Uwalkari country (Gibson desert region). The spear straightening is part of restricted men’s business. Mitjilli was given the right to depict the source of the spears by her father, however, the ceremony cannot be revealed in her works. Uwalkari is abundant with Watiya Tjuta and other plants that grow in a landscape dominated by sandhills. Mitjilli came from an acclaimed family of artists and the imagery of Watiya Tjuta is a recurring motif in her artwork.
Status: Stock
Status: Stock
Watiya (tree) Tjuta (many) is the artist’s iconic rendering of her late father’s Tjukurrpa (Dreaming). In this design, the artist depicts the ceremonial spear straightening in Uwalkari country (Gibson desert region). The spear straightening is part of restricted men’s business. Mitjilli was given the right to depict the source of the spears by her father, however, the ceremony cannot be revealed in her works. Uwalkari is abundant with Watiya Tjuta and other plants that grow in a landscape dominated by sandhills. Mitjilli came from an acclaimed family of artists and the imagery of Watiya Tjuta is a recurring motif in her artwork.
Status: Stock
Watiya (tree) Tjuta (many) is the artist’s iconic rendering of her late father’s Tjukurrpa (Dreaming). In this design, the artist depicts the ceremonial spear straightening in Uwalkari country (Gibson desert region). The spear straightening is part of restricted men’s business. Mitjilli was given the right to depict the source of the spears by her father, however, the ceremony cannot be revealed in her works. Uwalkari is abundant with Watiya Tjuta and other plants that grow in a landscape dominated by sandhills. Mitjilli came from an acclaimed family of artists and the imagery of Watiya Tjuta is a recurring motif in her artwork.
Status: Stock
This beautiful embroidered purse features Mitjili Naputtula’s artwork, ‘Watiya Tjuta’, and has been made by our ethical partners, Better World Arts.
About the Artwork
Mitjili paints the Watiya Tjuta tree. Mitjili’s style is unique and recognisable. The Watiya Tjuta in Mitjili’s paintings is her father’s Tjukurrpa (dreaming) in Ilyingaungau country (Gibson Desert). This was passed down to her by her mother, Tjunkayi Napaltjareri when story telling, using the same to draw the story as it is told in the traditional way. She remembers “…After I got married, my mother taught me my father’s Tjukurrpa in the sand, that’s what I’m painting on the canvas”, a women’s interpretation.
Better World Arts
Has been operating for over two decades.
They work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees). They work with Australian Aboriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities.
Better World Arts are endorsed members of the Fair Traders Association of Australia and New Zealand.
Status: Stock