CompNet Systems

221282370719

Pantu (Salt lake)

A very significant tjurkurpa (story) to Anangu is Kungkarangkalpa (Seven Sisters) which is an extensive creation story relating to the Pleiades constellation. The story traverses Australia taking different forms, and local women are privy to the part of the story which takes place in the country near Ernabella.

In her paintings Janice is depicting a salt-lake near Attila (Mt Connor) a landmark in the Seven Sisters story. This story has been passed down to her by senior artist and aunt Renita Stanley. In this part of the story the sisters are walking and traveling south through this country. The Salt Lake that is a part of this arid county comes alive after rain. As the kapi (water) moves across the land it transforms the colour and light on the land and Janice is painting this change and movement.

By CompNet Systems, ago

220982370662

Elizabeth Ngwarraye Bonney – Flowers and Fairies

This painting is of my Mother’s Country, where the enookecha (kunga berry) trees grow.

After the rain the enookecha come out, the rain makes the flowers and seeds fall to the ground and then the fairies come.
They are sweet, good fairies that live in the enookecha trees and they come after the rain. When we go out we can feel them there.

By CompNet Systems, ago

111582370690

Untitled

Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. Each artist, however, brings a unique approach to their craft.

Younger Martu artists often start painting alongside their parents, grandparents, and extended family, which fosters an organic learning process. This not only involves mastering painting techniques but also understanding specific locations, family histories, traditional ways of life, bush tucker, and Jukurrpa (Dreaming). Over time, with encouragement from their peers, they develop their own distinct styles and explore unique painting techniques and subject matter. In this work the artist brings a contemporary, evolving perspective to their work.

By CompNet Systems, ago

221282370774

Tjukurpa Mulayangu / Atipalku’s Story

Tjukurpa Mulayangu is a men’s law place. This is Atipalku’s father’s country in the western part of the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in South Australia. Mulayangu was a wanampi (water snake) who travelled all over this area creating rockholes.

In 2020 Atipalku and her family travelled to this area and stayed at their homeland, Tangkana, for the first time in many years. Atipallku was able to show her children and grandchildren this special place and share stories with them that had been passed down to her.

This painting depicts Atipalku’s father’s country with tjanpi (grass) and many tjukula (waterholes).

By CompNet Systems, ago

221282370771

Kulata and Kali (Spear & Boomerang)

My father told me this story, it’s a dream he had. There was a man who was travelling for a long time. He was travelling with kulata (spear) and kali (boomerang) because someone was waiting there for fighting.

In the middle of the way someone came making problems and trouble. All the kulata gone, all the kali gone. That place is still there and the kangaroo and emu are still drinking there at that waterhole.

This is tjukurpa wiru – a good story. There are some stories I can’t tell you.

By CompNet Systems, ago

221282370769

Piltati

There were two sisters who married two brothers and they all lived together. One day the women went wandering and they went such a long way that they forgot about their husbands. Back at the camp, the two husbands were thinking, ‘Where are our wives?’ and they decided to go looking for them. One brother said to the other, ‘What should we become to go looking for them?’ and the other brother said ‘Why don’t we become Rainbow Serpents?’ And they travelled in the sky looking down for their wives. Finally they see them hunting for carpet snakes and they put something in the hole where the women were digging. The women find it and then dig another hole and once again the men have put something in there. And this is how the men lure the women back to Piltati where the men make the sisters transform into Wanampi, swallow them and keep .them in their throats. All four of them live together in the waterhole and still live there today.

By CompNet Systems, ago

221282370768

Tjukurpa Mulayangu / Atipalku’s Story

Tjukurpa Mulayangu is a men’s law place. This is Atipalku’s father’s country in the western part of the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in South Australia. Mulayangu was a wanampi (water snake) who travelled all over this area creating rockholes.

In 2020 Atipalku and her family travelled to this area and stayed at their homeland, Tangkana, for the first time in many years. Atipallku was able to show her children and grandchildren this special place and share stories with them that had been passed down to her.

This painting depicts Atipalku’s father’s country with tjanpi (grass) and many tjukula (waterholes).

By CompNet Systems, ago

221282370766

Tjukurpa Mulayangu / Atipalku’s Story

Tjukurpa Mulayangu is a men’s law place. This is Atipalku’s father’s country in the western part of the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in South Australia. Mulayangu was a wanampi (water snake) who travelled all over this area creating rockholes.

In 2020 Atipalku and her family travelled to this area and stayed at their homeland, Tangkana, for the first time in many years. Atipallku was able to show her children and grandchildren this special place and share stories with them that had been passed down to her.

This painting depicts Atipalku’s father’s country with tjanpi (grass) and many tjukula (waterholes).

By CompNet Systems, ago