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Kunngol (cloud)

This design depicts certain Kunngol (cloud) that signal to people of central Arnhem Land that the end of the wet season is approaching. After months of daily monsoonal rain in Arnhem Land, these clouds are light and fluffy, not like the dark, heavy clouds of the monsoonal sky. At the time of the kunngol clouds, people know the country will soon dry up and the cold season (dry season) will arrive. When the kunngol clouds appear, all of the billabongs are already filled, the rivers are high and the country is brimming with life and fresh new growth after months of fresh water pouring from the sky.

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Man-ngarre (Native Grasses)

Designed 2007

Elizabeth had a distinctive artistic style, depicting the natural world with loose, organic strokes. Her style was evident in her key designs Kun-ngol (clouds), showing the cloud formations over her floodplain country after the wet season, and the fine detail of Kun-kirh (mud ripples) depicting cracked mud in the sun during dry season. Elizabeth was close family with Janet Marawarr, Lucy Yarawanga and Raylene Bonson, leading artists at Bábbarra.

This design celebrates the grasses of Arnhem land, the spear grass, Sorghum intransthat grows in the wet season and dies off or is burnt during the dry season.

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Djenj dja Komrdawh (Swordfish and Turtle)

“My country is called Mankorlod. It is near the rock country. My dreaming is komrdawh (long neck turtle), the one I painted in my design. I like to eat komrdaw, it tastes really nice. We catch them in dry and wet season near Mankorlod. This is my first ever design, and I only have one design. I painted it with brush at Babbarra Women’s Centre and I feel proud when people print my design.” Margot Gurawiliwili

The vines depicted in this artwork are used by women to weave and create fibre sculpture. They grow naturally on the floodplains in Arnhem Land. The long-necked turtle and freshwater sword fish depicted are popular bush food.

377810582366997



Djenj dja Komrdawh (Swordfish and Turtle)

“My country is called Mankorlod. It is near the rock country. My dreaming is komrdawh (long neck turtle), the one I painted in my design. I like to eat komrdaw, it tastes really nice. We catch them in dry and wet season near Mankorlod. This is my first ever design, and I only have one design. I painted it with brush at Babbarra Women’s Centre and I feel proud when people print my design.” Margot Gurawiliwili

The vines depicted in this artwork are used by women to weave and create fibre sculpture. They grow naturally on the floodplains in Arnhem Land. The long-necked turtle and freshwater sword fish depicted are popular bush food.

377810582366996



Djenj dja Komrdawh (Swordfish and Turtle)

“My country is called Mankorlod. It is near the rock country. My dreaming is komrdawh (long neck turtle), the one I painted in my design. I like to eat komrdaw, it tastes really nice. We catch them in dry and wet season near Mankorlod. This is my first ever design, and I only have one design. I painted it with brush at Babbarra Women’s Centre and I feel proud when people print my design.” Margot Gurawiliwili

The vines depicted in this artwork are used by women to weave and create fibre sculpture. They grow naturally on the floodplains in Arnhem Land. The long-necked turtle and freshwater sword fish depicted are popular bush food.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Piltati – Elizabeth Dunn’s story

Piltati is Elizabeth’s great-grandfather’s country and her dreaming story. Two brothers were married to two sisters and they all lived together. One day the two men go out hunting, looking for malu (kangaroo). They travel everywhere and find nothing. They start to worry – what are we going to do, there is no meat on this land. One brother says, maybe we should turn into something. They start to think about what they should turn into. Maybe firewood? No, the firewood burns. Maybe emu or a bird? No, people eat them.

They do a lot of talking and decide they should turn into wanampi (rainbow serpents). A lot of smoke starts to come out of the ground, it is very scary and then the men become wanampi. They travel into the land, towards a rockhole. 

Meanwhile, the two women are waiting for their husbands to return from their hunting trip. They wait a very long time. They keep going on with their lives, collecting bush tucker, waiting…but the men never come back. So they decide to set out to find their husbands. One day they come across a hole in the ground. They start digging. Digging, digging, digging they follow the tunnel inside the ground. They are so frantically digging they accidently hit one of the wanampi in the back. The wanampi chase the ladies and eat one of them and one woman gets away. 

Now the wanampi still live in the waterhole called Piltati. The wanampi live there today and provide rain for the bush tucker to grow and provide meat on the land.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.