Elizabeth Ngwarraye Bonney – My Grandmothers Country I still hunt my Grand Mothers country for goanna, bush medicine and yams. I hunt all year round, hunting and walking through the country makes me happy. When I look at the distant hills I can feel my grandmother. Bush flowers are everywhere. Read more…
Bondok Wood carving has always been part of Aboriginal culture and Djilpin artists continue this tradition. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony and to Read more…
Goanna Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from Ghunmarn Culture Read more…
Dilly Bag Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from Ghunmarn Read more…
Dilly Bag Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from Ghunmarn Read more…
Dilly Bag Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from Ghunmarn Read more…
Long Neck Turtle – Nyangura Nyangura the Long-Neck Tortoise is Yirritja. The two sacred ancestral Nyangura are found at a place called Djirringi in north-central Arnhem Lane on Ganalbingu land. The tracks left by the two ancestral totemic Nyangura, as they crawled over the land at Djirringi, is a sacred Read more…
Luma Luma relates to the coming of sacred power, Mardayin, and the establishment of ritual practices and initiations, such as the Kunapipi, Wubarr, and eventually the Lorrkon burial ceremonies. Luma Luma also introduced the ritual paraphernalia and the sacred clan patterns that are painted onto these objects and onto the Read more…
Gananhdharr (white heron) This sculpture represents the Gananhdharr song line. Gananhdharr (white heron) can be seen at low tide searching for goya (fish) particularly garkuyi (mullet). They hunt alongside their ŋäṉḏi (mother), Ngulungulu (grey heron), at low tide, across the flood plains and amongst larrtha (mangroves). “When you look in Read more…
View Of Country This shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family Read more…