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Blanket Square
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Blanket Square
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Blanket Square
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Blanket Square
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Blanket Square
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Woven Mat
Yolŋu weavers of Arnhem Land create utilitarian, ceremonial, and decorative pieces using naturally sourced materials. This mat is made from young Pandanus spiralis leaves, harvested with a wooden hook, stripped of prickles, and dried to create strong, resilient fibres. These fibres are then twisted, coiled, or woven using traditional techniques to produce both functional and decorative mats.
Bula’bula weavers exclusively use natural dyes, derived from locally sourced roots, leaves and grasses. These pigments are extracted and infused into pandanus fibres by boiling over an open fire, producing the rich, vibrant colours characteristic of contemporary Yolŋu weavings.
Traditionally, Nganiyal (conical mats) functioned as insect screens when erected and as seating mats when folded, playing an important role in both daily life and ceremonial practices. Today, Yolŋu artists create a variety of shapes, including flat, round, and oblong mats. These non-traditional styles and the use of bright colours became more common after Missionaries began commissioning pieces in this style.
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Rosie Ngwarraye Holmes – Alkwarre (Bush Banana)
There are four women preparing Alkwarre (Bush Banana) they are cooking the bananas in the coals, as they sit around the campfire. The bananas taste nice, soft and sweet. My grandmother taught me all about bush tucker and how to hunt. My two grandmothers took us out hunting together, they were sisters – Maudie and Georgina Holmes, they taught me all their knowledge, the old knowledge
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Gunderson Kemarre Lewis – Great Grandmothers Country
I paint my Great Grandmothers country around Canteen Creek. Long time ago she hunted around this soakage in this country. When I paint, I paint that country, the soakage the bushflowers the sandhills and the distant mountains.
I hunt this country now.
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JB Buliya – (Catfish)
JB paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally and JB would have learnt these stories from his ancestors. The cross-hatching style (Rrark) is a traditional painting style of this area and can represent elements such as water, air and wind.
His paintings often feature totemic animals of the fresh waters of North East Arnhem Land.