The artists of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.
These bush flowers grow seasonly in Alyawarr country, some of which are also used in bush medicine remedies.
“When I go out hunting, I like to see all the bush flowers that are flowering and then when I come back, I paint them.”
We like to watch the turtles come up to the shore and lay their eggs. Sometimes we see the little baby turtles hatch and run down the beach to the ocean.
When we see sea turtles it can mean that they can be mating and that makes us aware that they will soon be going to lay eggs. Some of our people eat the eggs and turtles.
Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.
Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.
The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.
Alec was born at McDonald Downs Station. He grew up there with his family living traditionally on the land. Alec did not attend school, he moved between different communities with his family.
Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.
“This is my country, my view of country.”
This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.
This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.