Status: Stock Margaret Rocky, Ngunyin (Dillybag) Dillybags played a vital part in Kuku Yalanji culture. Women used them to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. Dillybags were also used to hold personal and sacred items. Screen printed by hand in Sydney, by master printers. Sold by the metre and Read more…
Status: Stock Raffia Weaving Kit Pack includes: Starter coilNatural & coloured raffiaPlastic NeedleInstructions
Four Dreamings ‘This is Petermann Range near Kaltukatjara – that’s Docker River [Community]. Puta Puta, Tjunti, Muliati. This is my father’s Country’. Carbiene’s father was Snowy McDonald. He, like many other Pintupi-Pitjantjatjara people eventually moved east and north to refuges such as the Lutheran Mission at Ernabella, and Areyonga, during Read more…
Kungka In this story Doris paints several important women in her life, each of them a representation and not strictly assigned to the individual. There is Doris’ sister and herself. In a display of their resilience they are shown surrounded by an abundance of bush tucker.
swimming at Ikuntji In this multi-dimensional work, Doris Bush Nungarrayi has remembered her early bush life – hunting and swimming at Ikuntji (Haasts Bluff). She talks of sand hills where the young people would wander naked looking for water, “chasing” the water until they found a water hole. The young Read more…
Wardapi Jukurrpa ‘This painting is about the way women hunt Wardapi – that sand goanna. He digs holes in the dunes, makes his nest deep inside. Many of the holes all join up. Women hunt Wardapi in the dunes by digging out the holes. Sometimes cover one, and Wardapi runs Read more…
Wardapi Jukurrpa ‘This painting is about the way women hunt Wardapi – that sand goanna. He digs holes in the dunes, makes his nest deep inside. Many of the holes all join up. Women hunt Wardapi in the dunes by digging out the holes. Sometimes cover one, and Wardapi runs Read more…