Billy Gardiner
For Collection Only
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Football
This sculpture portrays one of the annual football carnivals in Martu Community. Each of the remote communities has a football team, and every year a different community is chosen as host to the carnival. The carnivals are important social events, and present a chance to catch up with friends and family members. Everyone travels long distances to support the players and celebrate together.
Life in community is unique; the distance between communities and major centres means few outside visitors pass through, travel between communities and towns is via long 4WD journeys or on the mail plane, fresh fruits and vegetables are relatively scarce, and up until recently telephone communication was limited to a few fixed landlines and community phone booths. Whilst these communities are continually being modernised, Country remains central to community life, both physically and culturally.
111582334769
Football
This sculpture portrays one of the annual football carnivals in Martu Community. Each of the remote communities has a football team, and every year a different community is chosen as host to the carnival. The carnivals are important social events, and present a chance to catch up with friends and family members. Everyone travels long distances to support the players and celebrate together.
Life in community is unique; the distance between communities and major centres means few outside visitors pass through, travel between communities and towns is via long 4WD journeys or on the mail plane, fresh fruits and vegetables are relatively scarce, and up until recently telephone communication was limited to a few fixed landlines and community phone booths. Whilst these communities are continually being modernised, Country remains central to community life, both physically and culturally.
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Wakuka (Kookaburra)
Wakuka (Kookaburra) is an important totem or spiritual being for our Kuku Yalanji clans. We call him a messenger bird because he lets us know when a family member has passed away.
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Yinjul (Rainforest Parrot)
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Yindili (Kingfisher)
The Kingfisher, known as Yindili in Kuku Yalanji language, is according to our culture one of the significant messenger birds. The Kingfisher will let us know when to expect a visit from families living in another community, And when we see a Kingfisher close by, we know that something good will soon happen in our personal life.
225182334743
Yindili (Kingfisher)
The Kingfisher, known as Yindili in Kuku Yalanji language, is according to our culture one of the significant messenger birds. The Kingfisher will let us know when to expect a visit from families living in another community, And when we see a Kingfisher close by, we know that something good will soon happen in our personal life.
225182334742
Karrkurr (Green Tree Frog)
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Karrkurr (Green Tree Frog)
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Marebu
Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. She is an accomplished artist working across mediums including painting, sculpture, weaving and textile design. For this design, Deborah Wurrkidj has depicted Marebu (woven pandanus mats).
Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.
Artists weave many different kinds of mats. Conical mats were traditionally used to shield babies from mosquitoes. Long flat mats were used for blocking creeks so that fish would be diverted into fish traps. A small triangular mat made of pandanus fibre used to be worn by women during ceremonial gatherings, tied around their back and covering them at the front. Mats are also used for wrapping and rinsing food in water.
Artists usually use kundayarr, pandanus spiralis, to weave decorative round or oblong mats, as well as the less common triangular and conical shapes. Weaving is physically hard work, now done only by women. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate.
The radial woven patterns of the finest round mats appear to vibrate with colour, sometimes regarded as an aesthetic manifestation of deep cultural meaning, as there is a significant spiritual dimension to pandanus mats.