Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Ganalbingu – Banda (Long Necked Turtle) The long necked turtle is a dreaming totem for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular Read more…
Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. Nowadays, artists weave many different shapes including flat, round and oblong.
Mungili Waterholes and Rock Holes “I was swimming there. Yeah, we go visit them a long time [ago]. We drink it, rain water from the rain. Big waterhole. It’s a fresh water, when the rain comes, fills it up. One for swimming and another rock hole for drinking.” – Marlene Read more…
Mungili Claypan “When I was young, walk around, play around, slide around on the mud. Big one [claypan] and little ones on the side. And the white gums, [where] we would get witchetty grubs” – Marlene Anderson In this work Marlene depicts a claypan located in Mungili, the small outstation Read more…
Untitled “It’s their home for them, real ngurra (home Country, camp). Real ngurra is where they been born and grow up.” – Corban Clause Williams The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp Read more…
Sea Turtle (Goolil) “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays Read more…
Flower Pot “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Untitled – Sylvia Wilson How did you get to this style of painting? “Do you mean, what have I done with my life? (chuckles to herself) To me these paintings are a sense of energy. So if I see someone and they’re happy, I paint a happy vibe. Cos their Read more…
Birriliburu (Pirrilipuru)- Miriam Atkins Birriliburu is Miriam’s family’s ngurra (home Country, camp), at the southern end of Martu Country and incorporating Wells 1 to 9 of the Canning Stock Route. Birriliburu lies at the intersection of the Little Sandy and Gibson Deserts of Western Australia, and is characterised largely by Read more…