Artists of Ampilatwatja
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Bush Tobacco – Elizabeth Ngwarraye Bonney Bush Tobacco flowers in winter and we harvest the whole plant, let it dry then burn it with white ash from the eucalyptus tree, it’s an old recipe.
Bush Tobacco – Elizabeth Ngwarraye Bonney Bush Tobacco flowers in winter and we harvest the whole plant, let it dry then burn it with white ash from the eucalyptus tree, it’s an old recipe.
My Country – Levina Pitjara Morton The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit. “When I paint, I think of the stories my Grandmother Lilly tells me of how she and her family used to Read more…
Bush Medicine Plants “Bush medicine plants are used for healing on the body and for drinking. We make this by grinding the plants with a rock, we use the juice and the fibre of the plant. We collect bush medicine plants when we are out hunting. Different kinds of plants Read more…
Warrnyu Dhawu (Flying Fox Story) Back in the Creation time, Warrnyu (Flying Foxes) once lived, like men, in the cave at the place called Kurrki Warrnyu Yirri Djaringal (they also lived in caves called Wadatilmurr & Gurngurmirrngu). Warrnyu lived in these caves for many years and then one day Djanyarr Read more…
Baru Dhawu (Crocodile Story) Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Gnarr (Spider) Bark paintings have a long cultural tradition, believed to extend back many thousands of years. In northern Australia, the walls of bark shelters in the Kimberley and Arnhem Land may well have been painted to convey and illustrate stories in the same way that rock shelters were. Bark painters in the Maningrida Read more…
Mat Mats can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each type of mat, fibre bag, basket and dilly bag has Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…
Untitled This is Ngarga’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…