Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.
Gumang (Magpie Geese) The Yolngu people of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangarr (Creative Beings) long ago close to the beginning of time. The Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Lidjilidji (Crimson finches) This artwork represents totemic finches. These birds herald the beginning of the dry season and are associated with the Ganalbingu clan. Lidji Lidji are also represented in ceremonial song and dance.
Bathi (Pandanus Basket) Bathi are woven from the split leaves of the Screw Palm (Pandanus Spiralis). Coil weaving was introduced to Arnhem Land in the 1930s. It was adapted from techniques used by Indigenous women throughout South East Australia.
Djarrka (goanna) Djarrka is a freshwater goanna that can be found in small inland creeks and feeds on small crabs and yabbies. People hunt this goanna for food and they can be very delicious to eat, like other meats you can find around and in the creek. Djarrka is a Read more…
Baru Dhawu (Crocodile Story) Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to Read more…
Bark Painting Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years.In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal bark paintings were used to convey and illustrate stories which were Read more…
Bark Painting Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years.In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal bark paintings were used to convey and illustrate stories which were Read more…