My Country – Jessie Ngwarraye Ross The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories belong. Jessie’s landscapes beautifully communicate the rich knowledge she possesses of medicinal plants and country, the heart of her culture. Jessie’s has Read more…
Barnumbirr – Morning Star Barnumbirr as a Morning Star is a creator spirit in Yolngu culture. Her story is part of the Dhuwa moiety. Barnumbirr flew eastward creating a song-line which includes descriptions of flora, fauna, geographical features and clan borders. Barnumbirr’s songline therefore formed the basis of Madayin Law and the Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of Read more…
Decorative Nula Nula Wood carving has always been part of Aboriginal culture and Djilpin artists continue this tradition. Men carved wood for many purposes – tools for hunting or gathering food, axes and knives for building shelters, spears and clubs for protection of their lives and territory, objects for ceremony Read more…
Digging for Water “This painting is about digging some holes for finding goannas and water, as a young girl, from around ten years old with my family around Kunawarritji. Well 32, my grandfather’s country.” – Kerry Anne Bennett “When Martu paint, it’s like a map. Martu draw story on the Read more…
Untitled This is Yikartu’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. Nowadays, artists weave many different shapes including flat, round and oblong.