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Warraburnburn (spirit)

Like people, warraburnburn live in family groups. Though they cannot be seen, they can sometimes be heard calling out to one another as they move across the country to hunt. They also have the ability to communicate internally with people, warning them when strangers enter their land. Warraburnburn know the country intimately and can be both protective and dangerous. Some may mislead people, turning the land over to make it confusing and unfamiliar, while others guide people to safety.

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Warraburnburn (spirit)

Like people, warraburnburn live in family groups. Though they cannot be seen, they can sometimes be heard calling out to one another as they move across the country to hunt. They also have the ability to communicate internally with people, warning them when strangers enter their land. Warraburnburn know the country intimately and can be both protective and dangerous. Some may mislead people, turning the land over to make it confusing and unfamiliar, while others guide people to safety.

115682398278



Warraburnburn (spirit)

Like people, warraburnburn live in family groups. Though they cannot be seen, they can sometimes be heard calling out to one another as they move across the country to hunt. They also have the ability to communicate internally with people, warning them when strangers enter their land. Warraburnburn know the country intimately and can be both protective and dangerous. Some may mislead people, turning the land over to make it confusing and unfamiliar, while others guide people to safety.

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Gananhdharr (white heron)

This sculpture represents the Gananhdharr song line. Gananhdharr (white heron) can be seen at low tide searching for goya (fish) particularly garkuyi (mullet). They hunt alongside their ŋäṉḏi (mother), Ngulungulu (grey heron), at low tide, across the flood plains and amongst larrtha (mangroves).

“When you look in the distance, when the tides out, you see Gananhdharr and Ngulungulu and think you see human beings fishing. The sun gives the illusion they are taller.  That’s how we sing the song and dance.”

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Gananhdharr (white heron)

This sculpture represents the Gananhdharr song line. Gananhdharr (white heron) can be seen at low tide searching for goya (fish) particularly garkuyi (mullet). They hunt alongside their ŋäṉḏi (mother), Ngulungulu (grey heron), at low tide, across the flood plains and amongst larrtha (mangroves).

“When you look in the distance, when the tides out, you see Gananhdharr and Ngulungulu and think you see human beings fishing. The sun gives the illusion they are taller.  That’s how we sing the song and dance.”

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Yawkyawk (young women spirit) (on a rock) – Babbarra Texta

“This mermaid lives in a special freshwater billabong in the manberrk (savanna woodland).

She is sitting on a rock on the edge of the kunronj (billabong). When we see the kunronj shining, and the sun goes down we call this kahbohmimihmeh.

 

 

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Diane Kemarre Ross – My Country

This is my country, it’s the country around Irrultja. This is where we like to go after big rain. After big rain there, we can go swimming. There is always good hunting on my country. It is good for me to paint my country and it makes me feel good.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

 

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Kindy Kemarre Ross – Irrultja is My Country

My country is called Irrultja, it’s past the hill and the dried-up creek from here, it’s a nice place, my dad’s country too, and my Mum’s country is here in Ampilatwatja. When I go to see my country, we always go to gather bush medicine, we always climb up the hill that’s in the south, we always go there.

We like to look out over the land and there are lots of flowers and bush medicine up there. I love my countryside; I see the nice flowers and gather bush medicine for me and my family. I like to paint a mix of wildflowers and bush medicines in all my paintings because it reminds me of my favourite part of my country and when it rains the flowers come out. Yeah, my countryside.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Colleen Ngwarraye Morton – Women’s Ceremony and Bush Medicine

The layers of Colleen’s paintings are as detailed and complex as the stories she paints.

Colleen’s painting represents a ceremony that is performed by the women in the community. It involves dance, singing and painting the body in ochre, to celebrate their country and their understanding of bush medicine.

The use of the bush medicine and the edible seeds that come in an assortment of colours, are depicted in many of Colleen’s paintings.

This painting is about singing to country, singing the bush medicine in to existence, maintaining it and where to find it.

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Elizabeth Ngwarraye Bonney – My Grandmothers Country

I still hunt my Grand Mothers country for goanna, bush medicine and yams.

I hunt all year round, hunting and walking through the country makes me happy.  When I look at the distant hills I can feel my grandmother.  Bush flowers are everywhere.

Painting and printing my grandmother’s country reminds about those times.