Madeline paints the country as she sees it around her, taking inspiration from the natural environment which she has lives amongst since childhood. She often paints things she sees in Yinjibarndi Country like the Pilbara wildflowers, lilyponds, claypan and spinifex
Millstream Lily pond is at the Millstream Homestead.The early settlers brought the water lilies with them and created a beautiful oasis with a large lily pond. This place is a significant site for the Yinjibarndi people and one they like to visit frequently.
When the wildflowers came out, it would mean there would be fruit coming soon from the plants in different seasons.
‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion). The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.
Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.
This is the story of the two boys, though some say it was two brothers or a brother and sister, living around Mantamaru (Jameson). One day they saw the track of a big snake, they followed and eventually caught and ate. Unbeknownst, the brothers they had eaten a spirit or magical snake.
The next day the brothers felt unwell. Any task became hard and their walking slowed down. Gradually they became slower and slower until they reach the top of a hill where no longer able to move they turned to stone.
Driving east from Jameson (on your left) you can see two lonely up-right rocks, one smaller than the other on the top of a hill which are called Tjitji (child) Kutjarra (two).
The Anangu people travelled vast desert landscapes, following the seasons for food and shelter, deeply attuned to the rhythms of the land. This resilience and wisdom embedded in traditional bush foods that sustained them across generations.
Maku (Witchety Grubs), with their creamy, nutty flavour, represent survival and the resourcefulness to draw nourishment from deep within tree roots. Kampurarrpa (Desert Raisins), small and tangy, add brightness and essential nutrients to desert diets, thriving under intense sun.
Ipalu (Bush Banana), a climbing vine with crisp, slender fruits, offers fibre and hydration—a refreshing staple in arid climates. Ili (Bush Figs), with their mild sweetness, grow from rugged trees, offering a delicate treat in the harsh terrain.
Through vibrant colours and intricate designs, these bush foods embody the spirit of Ngaanyatjarra culture, each a testament to the land’s gifts and the knowledge passed through generations.
This painting is depicting two women (minyma) digging for one of their favourite bush foods, Tjala or honey ants. Found in central Australia the ants construct nests in the red flat sandy soil under trees or bushes. The women look for the camouflaged entrance to the nest amongst dead litter, then start digging about half a metre from the entrance working around to locate the side chambers where the storer ants hide. The honey is sucked or squeezed from the storers’ extended abdomens which look like tiny pots of honey.
The ‘U’ shapes are the women. Next to them are their wana or digging sticks. The coloured circles in the middle represent the honey ants under ground.
