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Didjeridu With Water Lillies

Didjeridus from this region are made in the West Arnhem style. Called Mago, they’re different and special and follow the tradition made famous by Beswick’s Mago Master, elder David Blanasi.

Ghunmarn didjeridus are sourced on country, and hand cut from Woolybutt trees. Artists travel considerable distances on foot to find the right woolybutt tree naturally hollowed out by termites. Good instruments are hand-cut and taken back to camp to be worked, shaped, sanded, tuned and then finally painted.

These are top quality musical instruments, highly regarded worldwide, and still used in ceremony and performance today. Featuring traditional designs handed painted with a Jarlk grass brush.

 

Most Ghunamrn didjeridus are high pitch D, low pitch D, F, C or G. The longer the dij the lower the pitch, a shorter didj will give a higher sound.

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Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Mulla Mulla

This is the Fortescue Mulla Mulla or ‘Gumbarli’ in Yindjibarndi language. The flower is a purplish colour. It’s not a bush medicine, just a flower that grows in the country, in lines along the roads and everywhere. In this painting, the seeds of the Mulla Mulla are all blowing out. Once the leaves and petals have fallen off, the seeds are blown all through the land to bring flowers again the next year.

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Salt Flats

There are many Salt flats in the Pilbara.This painting depicts the water flowing underneath with the salt forming on top in ripples to show the movement of the ocean.

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My Country

In September, when we are looking for gum from the Blue Gum Tree, we walk through the spinifex country. We pick the gum when it is crystal colour, and we eat it, or put it into hot water to make a sweet drink. 

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Letting Go

This painting represents the warmth and love I have for a lady I was proud to call my mother. After losing her, I as an artist felt myself being motivated to do a series of paintings to deal with my grief and the void she has left in my heart and life itself. The earlier pieces in the series used dark colours to represent the devastation and overwhelming grief of losing my mum (Aunty). I realised this painting is me slowly moving through the grief and beginning to find light again. This is my journey as an artist, using my painting to navigate the process that we all go through in life called grief. After working on this piece I realised that the colours I have used in the background represent the warmth and love my mum had for her family and those around her. The copper represents my Mum’s love and respect for her Country and many trips she enjoyed travelling with loved ones out bush.

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Wet Season

Wet season in the Pilbara fills all the lovely creeks and the rivers flow. It’s a lovely time of the year.