221282366865
Ngayuku Walka / My Design
Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
221282366864
Ngayuku Walka / My Design
Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
221282366863
Ngayuku Walka / My Design
Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.
221282366862
Kampurarpa Tjukurpa – Elizabeth’s Story
Kampurarpa are bush tomatoes. Elizabeth’s work comments on the environmental change that has occurred on her country due to the introduction of non-native fauna such as cattle, and flora, notably weeds like buffel grass. Buffel grass is so widespread and destructive that it is commonly known in and around Pukatja as tjanpi mamu or devil grass.
From the very start of Elizabeth’s artistic practice she has drawn her kampurarpa tjukurpa (bush tomato story) in clay. In the old times kampurarpa were one of the main foods for Anangu.
I’ve seen the land change. We used to have a lot of flowers. We used to go out to the bush to collect bush tucker, like kampurarpa (bush tomatoes). And now there’s a lot of buffel grass everywhere. The land is changed by the buffel grass. Now there’s no more flowers – no purple flowers, yellow flowers, white or pink flowers. I’ve seen it. When all the cattle and the sheep and the goats came, the kangaroos left and went a long way away. They saw the strange animals and they left. That’s a true story.
Today, sometimes we still go out and collect kampurarpa but not like we did before. Our country has been changed by cattle and weeds like buffel grass, so we can’t find all the old foods like we once did. I’ll keep telling the kampurarpa story in my work, that keeps the stories, songs and dances about these important foods alive and strong.
111982366857
Dilly Bag
Kun-madj, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine Malasia scandens, a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect any kind of large numbers of heavy foods such as fish caught in conical fish traps or large collections of yams.
They can also be made from Pandanus spiralis, a plant which grows in many areas of Arnhem Land. These dilly bags are a tightly woven collecting basket, very finely made. These dilly bags are often used to collect sugarbag, the native honey
As well as being of practical use, dilly bags are also of religious significance to Arnhem Land people. Dilly bags are said to be totemic objects and associated with particular sites in the landscape
111982366856
Dilly Bag
Kun-madj, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine Malasia scandens, a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect any kind of large numbers of heavy foods such as fish caught in conical fish traps or large collections of yams.
They can also be made from Pandanus spiralis, a plant which grows in many areas of Arnhem Land. These dilly bags are a tightly woven collecting basket, very finely made. These dilly bags are often used to collect sugarbag, the native honey
As well as being of practical use, dilly bags are also of religious significance to Arnhem Land people. Dilly bags are said to be totemic objects and associated with particular sites in the landscape
111982366855
Dilly Bag
Kun-madj, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine Malasia scandens, a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect any kind of large numbers of heavy foods such as fish caught in conical fish traps or large collections of yams.
They can also be made from Pandanus spiralis, a plant which grows in many areas of Arnhem Land. These dilly bags are a tightly woven collecting basket, very finely made. These dilly bags are often used to collect sugarbag, the native honey
As well as being of practical use, dilly bags are also of religious significance to Arnhem Land people. Dilly bags are said to be totemic objects and associated with particular sites in the landscape
111982366854
Mat
Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.
Commonly used fibres include the leaves of pandanus (Pandanus spiralis), and palms (Livistonus), mírlírl (burney or jungle vine, Malaisia scandens), and the inner bark of kurrajong and stringybark eucalyptus trees. Weaving is physically hard work, now done only by women. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each type of mat, fibre bag, basket and dilly bag has its own name in the various languages spoken in the Maningrida region.
Artists weave many different kinds of mats. Conical mats were traditionally used to shield babies from mosquitoes. Long flat mats were used for blocking creeks so that fish would be diverted into fish traps. A small triangular mat made of pandanus fibre used to be worn by women during ceremonial gatherings, tied around their back and covering them at the front. Mats are also used for wrapping and rinsing food in water.
Artists usually use ngarakáya, pandanus spiralis, to weave fragrant, decorative round or oblong mats, as well as the less common triangular and conical shapes. The radial woven patterns of the finest round mats appear to vibrate with colour, sometimes regarded as an aesthetic manifestation of deep cultural meaning, as there is a significant spiritual dimension to pandanus mats.