Yalpirakinu is Adrian’s mother’s country. Adrian’s mother is the late Eunice Napangardi, a well known painter herself. His artworks consistently refer to the desert mountains, ridges and trees which are part of Yalpirakinu. Using a restricted colour palette, Adrian’s brushwork is loaded with energy, drama and memories. He is a deliberate and thoughtful painter; reworking, pushing and pulling the image to completion.
This basket is made from natural, local materials sourced from the Gunbalanya area. Weavers gather fresh young leaves from the pandanus palm using a hooked stick, then strip and dry them. The pandanus is then boiled up on the campfire with local plant dyes.
Today’s coiled fibre works are the result of rich cultural exchange and artistic innovation. The coiling technique was traditionally used by southern Aboriginal people of the Murray River, and was introduced to Goulburn Island by missionary Greta Matthews in the 1920s. From here it spread amongst Aboriginal people throughout Arnhem Land. These works are living embodiments of Australia’s history. Kunwinjku women have been developing the artform for almost 100 years, experimenting with new forms and adapting it to local materials.
The old plant dyes used in Europe like indigo, saffron, woad and logwood fell out of use with the Industrial Revolution. But here, a natural “paintbox” thrives.
The most common dyes include:
Yellow-orange: Mandjurndum (the bright orange roots of the Pognolobus reticulatus bush)
Brown: Wirdilwirdil (the red bulb of Haemadorum breviculae grass)
Green: The growing shoot of the pandanus itself (Pandanus spiralis), boiled with the ashes of pandanus leaves.
Purple-pink – Windilk (the seeds of the Haemodorum coccineum plant, related to Kangaroo Paw)
Grey-Black – Manbedde (the leaves of the quinine bush, Petalostigma pubescens)
Source: Louise Hamby (ed.) “Twined Together”.
People have been walking between these waterholes visiting the places.In the middle is living water.
This is a spring in my country, the Great Sandy Desert.
Pinti is a jila (living waterhole).There are white flowers that grow all around this waterhole after the fire comes through.We collect Karlaka (wild honey) from the Kuparnu (grevillea) tree.There is a big jilji (sandhill) here too.
This is grass country. There is a pirnti (claypan) here, it is the wet time and it is full of milky white water. There are all grasses growing around the pirnti.
“Long way out this one in my country, the Great Sandy Desert. This is an important place for my people, there is Kalpurtu (acestral spirit snake) here”.
When we go to yirramarl we go to a place nearby for water.
The blue cycle based on living waterhole and the pattern around it, it’s a rock. That where her country and that where she used to go fishing and hunting along with her family.
