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377810582356387

Au-gujechiya (fishtrap) Screen Print

TITLE                          Au-gujechiya

YEAR                          2022

MEDIUM                     Screen print

DETAILS                    2 screen

Au-gujechiya  means  fishtrap in the Burrarra language which is one of the traditional  languages spoken in the Maningrida region. Elizabeth’s homeland is Gupanga, Arnhem Land which located on a saltwater estuary, a great place for catching fish.

Elizabeth obtained permission from her djunkay to create a screen print design about a historic object traditionally used to trap fish in rivers, creeks, and estuaries. 

In the early wet season, fish swim upstream for breeding in creeks and billabongs, then downstream to spend the dry season in larger rivers. The traps would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish in and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish. This sustainable design means the trap can be used again and again. 

By , ago

377810582356386

Au-gujechiya (fishtrap) Screen Print

TITLE                          Au-gujechiya

YEAR                          2022

MEDIUM                     Screen print

DETAILS                    2 screen

Au-gujechiya  means  fishtrap in the Burrarra language which is one of the traditional  languages spoken in the Maningrida region. Elizabeth’s homeland is Gupanga, Arnhem Land which located on a saltwater estuary, a great place for catching fish.

Elizabeth obtained permission from her djunkay to create a screen print design about a historic object traditionally used to trap fish in rivers, creeks, and estuaries. 

In the early wet season, fish swim upstream for breeding in creeks and billabongs, then downstream to spend the dry season in larger rivers. The traps would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish in and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish. This sustainable design means the trap can be used again and again. 

By , ago

377810582356384

Mardarda and Njarlarla (Bones and Fire Sticks)

Designed 2019

In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people.

‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two pieces of special wood which would make fire easily. The old people carried a dilly bag containing the fire stick all times, when they moved camps.

Old people would always carry dilly bags, sometimes with water, honey, food or bones of our deceased people.

When someone passed away their body would be put on a high platform built from eucalyptus and paperbark. They would use a firestick to light a fire under the platform, and people would sing and dance around that platform to send the deceased’s spirit back to his or her country.

The body would then be left here for many months. When ready, the clan would return to collect the bones to take them back to the deceased’s homeland for burial.

To travel to the homeland, people would paint the bones with brown ochre and place them in a dillybag. When they reached the deceased’s homeland, people would sing together, place the bones in the lorrkkon and to leave them rest forever.”

By , ago

377810582356383

Mardarda and Njarlarla (Bones and Fire Sticks)

Designed 2019

In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people.

‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two pieces of special wood which would make fire easily. The old people carried a dilly bag containing the fire stick all times, when they moved camps.

Old people would always carry dilly bags, sometimes with water, honey, food or bones of our deceased people.

When someone passed away their body would be put on a high platform built from eucalyptus and paperbark. They would use a firestick to light a fire under the platform, and people would sing and dance around that platform to send the deceased’s spirit back to his or her country.

The body would then be left here for many months. When ready, the clan would return to collect the bones to take them back to the deceased’s homeland for burial.

To travel to the homeland, people would paint the bones with brown ochre and place them in a dillybag. When they reached the deceased’s homeland, people would sing together, place the bones in the lorrkkon and to leave them rest forever.”

By , ago

377810582356382

Mardarda and Njarlarla (Bones and Fire Sticks)

Designed 2019

In Esther’s first screen design, she depicts the story of Mardarda (bones) and Njarlarla (fire sticks) carried in a dilly bag, reminiscent of traditional ways of the Ndjebenna people.

‘Back in the old days, our people would use a ‘bush lighter’ for lighting fires, which was two pieces of special wood which would make fire easily. The old people carried a dilly bag containing the fire stick all times, when they moved camps.

Old people would always carry dilly bags, sometimes with water, honey, food or bones of our deceased people.

When someone passed away their body would be put on a high platform built from eucalyptus and paperbark. They would use a firestick to light a fire under the platform, and people would sing and dance around that platform to send the deceased’s spirit back to his or her country.

The body would then be left here for many months. When ready, the clan would return to collect the bones to take them back to the deceased’s homeland for burial.

To travel to the homeland, people would paint the bones with brown ochre and place them in a dillybag. When they reached the deceased’s homeland, people would sing together, place the bones in the lorrkkon and to leave them rest forever.”

By , ago

22124007428

Status: Stock

Punu (wood carving)

Punu are wood carvings by Anangu (Central and Western Desert Aboriginal people), they are hand carved and decorated with walka, patterns burnt into the wood with heated wire.

By , ago

225482333997

Boab Nut

Ngarinyin, Woddorda  (Worrorra) and Wunambal are the three main languages of the North Kimberley language families. The Boab Tree is known by Wurnambal people as Jungurri, in  Woddorda as Jungurim and in Ngarinyin as Jungulan jirri, Larrgari jirri and Malawudi jirri.

Boab or Larrgardi Trees (lt.: Adansonia Gregorii) – is an Australian native species only found in the Kimberley region of Western Australia. They are very recognisable due to their unusual shape – reminding one of a full-bodied bottle. Some trees are more then 1500 years old and can hold more than 100,000 litres of water in their trunks.

Every part of the tree is used either as a food-resource, as medicine or otherwise. Almost every part of the tree is edible from the young leaves and tubers to the internal fruit pods and seeds.

The tree produces beautiful large fragrant yellow flowers. Inside the fruit pod the fruit is naturally dried on the tree itself. This is the only fruit in the world that does this.

Indigenous artists carve designs into shell of the boab nut or paint it with different designs and children use it as a rattle. The designs on the nuts vary from Wandjina’s to different animals, like the Brolga, turtles, and fish to people’s faces and landscapes.

“Boab nut Carving was a way of expressing ones artistic skills. Aboriginal people across the Kimberley Region of Western Australia was carving along time ago it started with our ancestors.”

By , ago

225482333989

Boab nut

Ngarinyin, Woddorda  (Worrorra) and Wunambal are the three main languages of the North Kimberley language families. The Boab Tree is known by Wurnambal people as Jungurri, in  Woddorda as Jungurim and in Ngarinyin as Jungulan jirri, Larrgari jirri and Malawudi jirri.

Boab or Larrgardi Trees (lt.: Adansonia Gregorii) – is an Australian native species only found in the Kimberley region of Western Australia. They are very recognisable due to their unusual shape – reminding one of a full-bodied bottle. Some trees are more then 1500 years old and can hold more than 100,000 litres of water in their trunks.

Every part of the tree is used either as a food-resource, as medicine or otherwise. Almost every part of the tree is edible from the young leaves and tubers to the internal fruit pods and seeds.

The tree produces beautiful large fragrant yellow flowers. Inside the fruit pod the fruit is naturally dried on the tree itself. This is the only fruit in the world that does this.

Indigenous artists carve designs into shell of the boab nut or paint it with different designs and children use it as a rattle. The designs on the nuts vary from Wandjina’s to different animals, like the Brolga, turtles, and fish to people’s faces and landscapes.

“Boab nut Carving was a way of expressing ones artistic skills. Aboriginal people across the Kimberley Region of Western Australia was carving along time ago it started with our ancestors.”

By , ago

220982348962

Bush Medicine Plants

“Bush medicine plants are used for healing on the body and for drinking. We make this by grinding the plants with a rock, we use the juice and the fibre of the plant.

We collect bush medicine plants when we are out hunting. Different kinds of plants grow during different seasons.

There are lots of different medicines, we know what their stories are, we learnt them from our parents and we teach these stories to our children.”

Bush medicine knowledge is still strong in Ampilatwatja, it continues to be passed down to the younger generations and is widely used.


When the women go hunting they often gather bush medicine. The plants depicted here are found in the country around Ampilatwatja, they are used for soothing skin infections and to make a drink to help with colds and coughs.


Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.

By , ago