Tjukula/Waterholes For the Pitjantjatjara people living in the desert, knowledge of their water sources was critical to their survival. This resulted in an intimate understanding of the landscape which continues today. Water is an essential element in the desert. These Read more…
Minyma Kutjara There is a story of deep significance to women which contains metaphorical references to female cycles. It tells of two women travelling north. The pair meet with a group of women, including Kutungu, who are caring for a Read more…
Piltati There were two sisters who married two brothers and they all lived together. One day the women went wandering and they went such a long way that they forgot about their husbands. Back at the camp, the two husbands Read more…
Kungkarangkalpa / Seven Sisters Kungkarangkalpa means the Seven Sisters. This is an extensive creation story that relates to the Pleiades constellation in the southern hemisphere. The story traverses Australia taking on different forms, however local women are privy to the Read more…
Kungkarrangkalpa (Seven Sisters) ‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion). The roots of this dreaming stems across indigenous Read more…
Two snakes travelling This painting depicts 2 snakes travelling across Yiritijanu and Punmu Hill in the artists country. This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and Read more…
Nattery This artist primarily paints her country in the Canning Stock Route area. As a younger woman the artist lived and travelled traditionally with her family during the pujiman (bush) days. They travelled up and down the Stock Route from Read more…
Untitled This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and Read more…
Rockholes This work depicts a waterhole within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels Read more…
JB Fisher – Djanda (lizard) JB paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally and JB would have learnt these stories from his ancestors. The cross-hatching style (Rrark) is a traditional painting Read more…