111582320239



Emu Tracks to Puntawarri

“Emu go to the springs to have a drink of water and then move on to the next one.”

– Judith Anya Samson

Puntawarri is an important cultural area, as well as the site of a now abandoned community, a waterhole, creek and lake. Puntawarri is located on the middle stretches of the Canning Stock Route and east of the Jigalong Aboriginal Community, where Judith grew up with her grandmother and senior Martumili Artist Dadda Samson (dec.). Anya continues to live between Jigalong and Newman today.

Puntawarri lies within Judith’s ngurra (home Country, camp) through her mother’s family, and as a young girl she frequently travelled and hunted with her family in this area, learning the stories for this Country. Depicted in this work are the tracks of a group of emus on their way to Puntawarri waterhole, searching for kapi (water). 

Karlaya (emu) were traditionally hunted during the pujiman (traditional, desert dwelling) era, and they continue to be a favoured bush tucker for Martu today. During the pujiman period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Jina (tracks, footprints) are used by Martu people when tracking bush tucker. In the absence of an actual animal sighting, tracks act as an identifier that an animal was present, which can then be followed to the animal’s present location. Besides providing information on location, Martu are able to interpret from tracks the passage of time since the tracks were imprinted, as well as the corresponding animal species and its size.

The softer and more extensive the ground surface, the easier it is to locate and follow tracks, thus certain conditions are favoured for tracking. Tuulparra (spring) and yalijarra (hot time) are preferred over wantajarra (winter), when south easterly tradewinds blow strongly to obscure tracks. Tracks and burrows are also more readily visible in early growth lands, such as nyurnma (freshly burnt Country) and waru-waru (growth of new shoots and young plants). For this reason, fire burning is an important tool in animal tracking. Small burns are lit to clear vegetation, expose burrows, and to allow for access to walk and track readily in exposed sands, while simultaneously providing diverse regenerating habitats.

111582320238



Emu Tracks to Puntawarri

“Emu go to the springs to have a drink of water and then move on to the next one.”

– Judith Anya Samson

Puntawarri is an important cultural area, as well as the site of a now abandoned community, a waterhole, creek and lake. Puntawarri is located on the middle stretches of the Canning Stock Route and east of the Jigalong Aboriginal Community, where Judith grew up with her grandmother and senior Martumili Artist Dadda Samson (dec.). Anya continues to live between Jigalong and Newman today.

Puntawarri lies within Judith’s ngurra (home Country, camp) through her mother’s family, and as a young girl she frequently travelled and hunted with her family in this area, learning the stories for this Country. Depicted in this work are the tracks of a group of emus on their way to Puntawarri waterhole, searching for kapi (water). 

Karlaya (emu) were traditionally hunted during the pujiman (traditional, desert dwelling) era, and they continue to be a favoured bush tucker for Martu today. During the pujiman period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and gathering bush tucker as they went. Jina (tracks, footprints) are used by Martu people when tracking bush tucker. In the absence of an actual animal sighting, tracks act as an identifier that an animal was present, which can then be followed to the animal’s present location. Besides providing information on location, Martu are able to interpret from tracks the passage of time since the tracks were imprinted, as well as the corresponding animal species and its size.

The softer and more extensive the ground surface, the easier it is to locate and follow tracks, thus certain conditions are favoured for tracking. Tuulparra (spring) and yalijarra (hot time) are preferred over wantajarra (winter), when south easterly tradewinds blow strongly to obscure tracks. Tracks and burrows are also more readily visible in early growth lands, such as nyurnma (freshly burnt Country) and waru-waru (growth of new shoots and young plants). For this reason, fire burning is an important tool in animal tracking. Small burns are lit to clear vegetation, expose burrows, and to allow for access to walk and track readily in exposed sands, while simultaneously providing diverse regenerating habitats.

221382320415



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

221382320412



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

221382320393



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

221382320392



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

221382320390



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

221382320389



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

221382320388



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

221382320386



Woven Dragonfly

This finely crafted hand woven dragonfly is a cheerful reminder of the real dry season dragonflies.

Signalling in the dry season, dragonflies are ubiquitous with dry winds, cool nights and saying goodbye to the wet season! Our senior fibre artists are continuing to expand their techniques and range with dragonflies and other complex woven forms. Each are unique, hand woven and coloured using natural bush dyes.

Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.