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Sowurraw Pamay (Digging Wild Yam)

My image Sowurraw Pamay depicts a boy digging for wild yams. I lost my father when I was young so my mother brought us up. My older brother’s taught me the traditional men’s business like hunting and fishing, but I learnt all about gathering plants and their different types from my Mum. As I did this artwork I had a feeling like déjà vu of my mum, myself and two younger sisters one morning long ago. We were walking along and Mum pointed out some leaves and said “This is sowurr – dig there”. There and then she taught us how to identify when the sowurr were ready to be harvested. We dug everywhere she pointed and soon we knew exactly what we were looking for. I was confused though because I thought we were going fishing but here we were digging all of these yams and our arms were getting sore. After we had a good pile Mum told us to leave half to collect later, but we had to carry the rest to the beach. By the time we caught fish it was late afternoon and we were starving, we hadn’t eaten all day. We made a fire and Mum roasted the yams and the fish, it was so good and gave us strength to head back. When we got home we roasted the rest of the yams and made fish soup for the family. Laurie Nona 2024

By CompNet Systems, ago

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The boy who turned into wind (pirriya) at Walu rockhole

This story is about a young boy who had no parents and was neglected.

There were two men (the boy’s uncles) and one young boy camping at Walu Rockhole, an important water site in the Gibson Desert, northwest of the tri-state border between Western Australia, the Northern Territory and South Australia. 

The men went hunting and the boy stayed behind waiting. The men returned with an emu and pulled out its heart. The boy was holding the heart and blood spilt out onto the rocks. He ran away with the heart and turned into a big whirlwind. The big whirlwind. came up and swept the families away. Today you can still see the emu’s blood trail where it stained the rocks.

Walu rock hole is a special place north of Papulankutja (Blackstone) where traditionally Yarnangu families would gather when water was available in the holes found in a flat rocky area.

By CompNet Systems, ago

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Bawáliba (Stone Country Mimih)

‘Bawáliba is the djang (Dreaming) of my mother and my uncles. They are good spirits, they protect us and they recognise families. They are really tall- just like human beings, like us. They dance late at night and have a lot of hair.

In olden times, long long long time ago Bawáliba were here, before people were on the land. Bawáliba used to go out hunting and care for country. They hunt carrying fish traps and digging sticks, near the homeland Djinkarr. They go out hunting on the floodplains with dilly bags and digging sticks. They collect a lot of bush foods, and sleep together with one bark shelter.
Sometimes now they still come alive when we sleep, they might come to our houses and peep through the window. At night, they cover themselves with white clay and red cloth tied around their waist. If we hear them, we jump out of bed and get up to look -but they have disappeared, they’re just too quick. Bawáliba might knock on the window to remind us they are there looking out for us.If you listen deeply you can hear them whisper, sometimes they talk about us and might say, ‘why are those people making camp here?’ then they realise ‘Oh they are family from here, it’s ok, they are just sleeping here for the night’.

During the day they always turn into stone and they sleep. We still know that green rock covered in moss near Djinkarr, that’s Bawáliba sleeping.
Some of my ancestors used to speak the same language as the Bawaliba, but all those old people are passed away now. It’s a little bit sad for us, because no one now can speak that Bawaliba language anymore.’ Lucy Yarawanga 2019

By CompNet Systems, ago

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Garriwa (Sea Turtle)

A detailed lino print design depicting a sea turtle surrounded by sea shells.

Elizabeth is from the Burrarra language group and her homeland is Gupanga, Arnhem Land.  

By CompNet Systems, ago

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Kunmadj

Kunmadj is the Kuninjku term for large woven collecting baskets, known as dillybags.

They are often made from the burney vine (Malaisia scandens), a strong, pliable plant that grows along the ground and into the canopy of monsoon vine thickets. The baskets are used to collect a variety of heavy foods, such as fish caught in conical fish traps or a good harvest of yams. As well as being of practical use, dillybags are of cultural significance to Arnhem Land people. Dillybags are totemic objects and they are associated with particular sites in the landscape.

By CompNet Systems, ago

377810582309266

Kunmadj

Kunmadj is the Kuninjku term for large woven collecting baskets, known as dillybags.

They are often made from the burney vine (Malaisia scandens), a strong, pliable plant that grows along the ground and into the canopy of monsoon vine thickets. The baskets are used to collect a variety of heavy foods, such as fish caught in conical fish traps or a good harvest of yams. As well as being of practical use, dillybags are of cultural significance to Arnhem Land people. Dillybags are totemic objects and they are associated with particular sites in the landscape.

By CompNet Systems, ago