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Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form Read more…

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Mat Mats can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each Read more…

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Mat Mats can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each Read more…

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Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature Read more…

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2D Fibre Sculpture Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive Read more…

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Richiya (vine plant) Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years.In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal Read more…

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Gulach (Spike Rush) and Jaran.gich (King Brown Snake) Greg Wilson is the son of artist Terry Ngamandara, who was a senior custodian of the Gun-gulol Gu-rrenyjinga group of clans, which includes his own clans Girnimba and Garramirra. These clans are Read more…

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