Woven Stingray Yolŋu weavers of Arnhem Land craft both utilitarian and ceremonial objects using naturally sourced materials, with more recent works also including decorative pieces, such as this woven stingray. The primary material used in this piece is the young, Read more…
Untitled Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and Read more…
Kungkarrangkalpa (Seven Sisters) ‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion). The roots of this dreaming stems across indigenous Read more…
Kunkih (Mud Ripples) This design depicts the patterns of the freshwater mud ripples, which emerge after strong monsoonal wet seasons on the Djinkarr and Nangak flood plains. These ripples form on the earth’s surface in delicate repetitive and shifting patterns. Read more…
Kalawan (Goanna) This painting depicts two goannas embedded in an intricate depiction of kunkurra, the mini cyclones common during the wet season in Arnhem Land. Kunkurra also relates specifically to the Bilwoyinj site. At this site, two of the most Read more…
Lorrkon (Hollow Log) The Lorrkon or bone pole coffin ceremony is the final ceremony in a sequence of mortuary rituals celebrated by the people of Arnhem Land. This ceremony involves the placing of the deceased’s bones into a hollow log Read more…
Djomi Djomi is a freshwater spring surrounded by jungle at the mouth of the Liverpool River. It is a major sacred site with extensive mythological significance for the Kunibidji people. Mermaids live in the freshwater spring. They are associated with djabayena, Read more…
Burarr (Water Monitor) Bark paintings have a long cultural tradition, believed to extend back many thousands of years. In northern Australia, the walls of bark shelters in the Kimberley and Arnhem Land may well have been painted to convey and illustrate stories in Read more…