Moa Arts
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Art Centre notes: The bag is made of natural raffia / cotton. It is made using a traditional ‘one twist’ method. The dyes are commercial and colour fast.
Art Centre notes: The bag is made of natural raffia / cotton. It is made using a traditional ‘one twist’ method. The dyes are commercial and colour fast.
Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. Nowadays, artists weave many different shapes including flat, Read more…
Nawarlah (Brown River Stingray) Aboriginal art in Ramingining, Central Arnhem Land is commonly illustrated through designs and images of animals, plants, and landscape. These motifs commonly reflect the artists ancestral inheritance and their dreamings and are referred to as totems. Read more…
Baru Dhawu (Crocodile Story) Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and Read more…
Emu Tracks and waterhole “Emu go to the springs to have a drink of water and then move on to the next one.” – Judith Anya Samson Puntawarri is an important cultural area, as well as the site of a Read more…
Mungili Claypan “When I was young, walk around, play around, slide around on the mud. Big one [claypan] and little ones on the side. And the white gums, [where] we would get witchetty grubs” – Marlene Anderson In this work Read more…
True Colours “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…
Untitled Depicted in this work are traditional types of mayi (plant food). During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting Read more…
Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as Read more…