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Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature Read more…

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Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature Read more…

111982220791

Warraburnburn In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn. The Warraburnburn and the closely related Galabarrbarr Read more…

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Benjamin’s Barramundi (Ratjuk) Benjamin paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally and JB would have learnt these stories from his ancestors. The cross-hatching style is a traditional painting style of Read more…

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Raypiny Dhawu (Fresh Water Story) All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) Read more…

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Mindirr (Pandanus Bag) Miṉḏirr (dilly bags) are made from gunga (Pandanus spiralis), baḻgurr (kurrajong) and natural bush dyes. The body of the miṉḏirr is made from gunga, and the handles from baḻgurr. Once the gunga fronds and baḻgurr bark have been collected, they are stripped and prepared then Read more…

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Woven Mat Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.  Nowadays, artists weave many different shapes including flat, Read more…

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