Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…
Untitled “I was learning about painting from school and from watching Bamba’s [Corban Clause Williams] mob painting. Bamba is my little brother. I like a painting about Country, painting my grandfather’s Country- Kaalpa (Kalypa, Canning Stock Route Well 23). I also like to go Read more…
Status: Stock Puli Puli Scrunchie This scrunchie features work by Keturah Zimran, and has been made with our ethical partners, Better World arts. About the Artwork The ancient Australian landscape with it’s eroded forms and organic shapes provides motivation for Read more…
Untitled “I come to Martumili to paint about my Country, where my grandfather walked around and collected food, and visited the same rockholes I do. I paint to keep my culture and stories strong, and share with others.” – Tamisha Read more…
Untitled “I come to Martumili to paint about my Country, where my grandfather walked around and collected food, and visited the same rockholes I do. I paint to keep my culture and stories strong, and share with others.” – Tamisha Read more…
Untitled Montana is part of the youngest generation of Martumili Artists. She, like her contemporaries, began to paint with her parents, grandparents and extended family, thus fostering an organic process of learning, not only about painting techniques, but also specific Read more…
Untitled Montana is part of the youngest generation of Martumili Artists. She, like her contemporaries, began to paint with her parents, grandparents and extended family, thus fostering an organic process of learning, not only about painting techniques, but also specific Read more…
Untitled This is Ngamaru’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…