Ngalkunburriyaymi #2 This is a painting of Ngalkunburriyaymi, the fish-woman spirit. Sometimes compared to the European notion of mermaids, they exist as spiritual beings living in freshwater streams, particularly those in the stone country. The spirit Yawkyawk are usually described and depicted with the Read more…
Mimih Spirit The mimih spirit exists in a realm that runs parallel to and mirrors many facets of human life, also demonstrating the deep sense of time and place understood by Aboriginal and Torres Strait Islander people. Such spirits feature Read more…
String Bag String bags can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured Read more…
Yawkyawk Yawkyawk is a word in the Kunwinjku/Kunwok language of Western Arnhem Land meaning ‘young woman’ and ‘young woman spirit being’. The different groups of Kunwinjku people (one of the Eastern dialect groups call themselves Kuninjku) each have Yawkyawk mythologies, Read more…
Yawkyawk Yawkyawk is a word in the Kunwinjku/Kunwok language of Western Arnhem Land meaning ‘young woman’ and ‘young woman spirit being’. The different groups of Kunwinjku people (one of the Eastern dialect groups call themselves Kuninjku) each have Yawkyawk mythologies, Read more…
Kunjuri, shield – Anne Nunn I am painting kunjuri (shield). Our ancestors used kunjuri and wakay (sword) for fighting to protect themselves from getting hurt. I started watching my grandfather paint when I was 12 years old. He taught me a Read more…
Kunjuri, shield – Anne Nunn I am painting kunjuri (shield). Our ancestors used kunjuri and wakay (sword) for fighting to protect themselves from getting hurt. I started watching my grandfather paint when I was 12 years old. He taught me a Read more…
Kunjuri, shield – Anne Nunn I am painting kunjuri (shield). Our ancestors used kunjuri and wakay (sword) for fighting to protect themselves from getting hurt. I started watching my grandfather paint when I was 12 years old. He taught me a Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements Read more…
Blue Hills This painting depicts Blue Hills, which is Miriam’s father’s ancestral country. Kajarra (Kadjara) is the Martu name for the Carnarvon Ranges, which are situated in the Little Sandy Desert around 50 kilometres west of Well 5 on the Read more…