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3 Pools

“It’s north of here. It might be Nyiyaparli country but we’re caretakers.

I haven’t been out for a long time. It’s painted from memory. It’s a beautiful swimming spot, good for a BBQ and picnic. It’s beautiful when it’s summertime, you get the big gumtrees from the shade. The pools are like a step, one down to the other. When it’s really flowing you can’t see the different pools.

I paint it as I see it. Even when I go out to Jigalong I’m always looking at the bush. Mainly looking for something to eat, but I can still see the Country. It’s close to my heart that I try to use the colours of Country to portray what I’m seeing.

The rainbow serpent, Jila (snake) came [here] from Yindjibarndi Country. This one is part of a series [along with] Kalgan’s Pool. The story is he came all the way through and out to Lake Dora. On that lake there, pretty much in the middle is a freshwater spring. And that’s where he lives, out there. Even out at Kalgan’s Pool, there’s a resident jila out there. I’ve seen him a couple of times, a huge olive python.”

– Sonny (Albert) Pilkington

 

Three Pools is a small cascading waterfall nestled in the Pilbara found a few hours north of Newman, where Sonny resides. This place is connected to the Rainbow Serpent Jukurrpa from Yindjibarndi Country of the North Western part of the Pilbara region.

The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, plants, animals, and people.

The Western Desert term jila is used interchangeably to describe springs considered to be ‘living’ waters and snakes, both of which play a central role in Martu culture and Jukurrpa (Dreaming). Of the many permanent springs in Martu Country, very few are ‘living waters’; waters inhabited by jila (powerful ancestral beings). Before they became snakes, these beings were men who made rain, formed the land and introduced cultural practices like ceremonies and ritual songs. Some of the men travelled the desert together, visiting one another, but they all ended their journeys at their chosen spring alone, transformed into a snake.

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Didjeridu (Flying Fox)

Didjeridus from this region are made in the West Arnhem style. Called Mago, they’re different and special and follow the tradition made famous by Beswick’s Mago Master, elder David Blanasi.

Ghunmarn didjeridus are sourced on country, and hand cut from Woolybutt trees. Artists travel considerable distances on foot to find the right woolybutt tree naturally hollowed out by termites. Good instruments are hand-cut and taken back to camp to be worked, shaped, sanded, tuned and then finally painted.

These are top quality musical instruments, highly regarded worldwide, and still used in ceremony and performance today. Featuring traditional designs handed painted with a Jarlk grass brush.

 

Most Ghunamrn didjeridus are high pitch D, low pitch D, F, C or G. The longer the dij the lower the pitch, a shorter didj will give a higher sound.

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Seeds and Waterways (Dawn)

I am inspired by the colours in the rocks, the seeds on the ground, and the way water moves through the land. When I paint, I think about the flow of a waterway. Water is always moving, and I follow that movement in my lines and shapes. The forms in my work come from that flow, and my colours come from what I see in Country. I use strong, vivid colours because that is how I see Country in my mind and how i feel when i paint. There is a lot of new life when you find water on Country. It is where you find the beautiful colours and the flowers.  When i paint I feel connected to culture, the old people and memories. 

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Colours of the Wildflowers

The colours of the rock and the purple mulla mulla flow through the painting. The wild onion seeds are the red dots.

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Seeds and Waterways (Dawn)

I am inspired by the colours in the rocks, the seeds on the ground, and the way water moves through the land. When I paint, I think about the flow of a waterway. Water is always moving, and I follow that movement in my lines and shapes. The forms in my work come from that flow, and my colours come from what I see in Country. I use strong, vivid colours because that is how I see Country in my mind and how i feel when i paint. There is a lot of new life when you find water on Country. It is where you find the beautiful colours and the flowers.  When i paint I feel connected to culture, the old people and memories. 

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Salt Flats

There are many salt flats in the Pilbara.This painting depicts the water flowing underneath with the salt forming on top in ripples to show the movement of the ocean.

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Jumi

This bush medicine plant grows near waterholes and riverbanks. It smells like eucalyptus.

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Muddy Waterholes

After the rains when the rivers flow, earthy colours and round patterns form muddy waterholes.