Stingray Djilpin Arts is a not for profit Aboriginal Corporation that promotes the maintenance, development and transmission of traditional cultural knowledge systems. For two decades, Djilpin Arts has been working on country with kin and culture, across generations. Our activities Read more…
Djaykuŋ with whirlpool Djilpin Arts is a not for profit Aboriginal Corporation that promotes the maintenance, development and transmission of traditional cultural knowledge systems. For two decades, Djilpin Arts has been working on country with kin and culture, across generations. Read more…
Barramundi Djilpin Arts is a not for profit Aboriginal Corporation that promotes the maintenance, development and transmission of traditional cultural knowledge systems. For two decades, Djilpin Arts has been working on country with kin and culture, across generations. Our activities Read more…
Dakota Ngwarraye Petrick – Artna Alpeyt (Bush Flowers) These bush flowers grow seasonly in Alyawarr country, some of which are also used in bush medicine remedies. My twin sister Lotoya and I have just started painting, our grandmother Elizabeth Ngwarraye Bonney Read more…
Latoya Ngwarraye Petrick – Artna Alpeyt (Bush Flowers) These bush flowers grow seasonally in Alyawarr country, some of which are also used in bush medicine remedies. I have just started painting, my grandmother Elizabeth Ngwarraye Bonney has been teaching me, Read more…
Dreamtime Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and Read more…
Untitled This site forms part of Blake Wilberforce’s ngurra (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting Read more…
Untitled This site forms part of Blake Wilberforce’s ngurra (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting Read more…
Puntawarri “We drink water at Puntawarri. We clean and dig that waterhole. This Country is Puntawarri. My nanna, Dadda, taught me to paint this Country. Puntawarri is important because it is my pop’s, my nannas’ husband’s, place. They camped there Read more…
Puntawarri “All around is sandhills and lakes on every side. You can see the grass, but the lakes are all dry. In the middle is Puntawarri waterhole. That’s the jila (snake) place, two jila. They nyupa (spouses), they darlings, man Read more…