Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…
Bush Tucker Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving Read more…
untitled This is Bugai’s Country- her ‘ngurra’ (home Country). The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify Read more…
Jila Kujarra (Two Snakes) “Two jila (snakes) travelling. Old Warnman men, maparn (magic) men sat down to sing these snakes to sleep. Then they brought out a stone axe to sneak up and kill them, both snakes. The fat part, Read more…
Kumpupirntily ““If they dig him up, anybody, blackfella, whitefellas they’ll get killed! Ngayurnangalku still there [in Kumpupirntily]. No people gotta go come to this place. If they go there it’s one way! There’s a cannibal there. Don’t come to this Read more…
Bark Painting Aboriginal bark paintings have a long cultural tradition, believed to extend back many thousands of years. In northern Australia, paintings on bark shelters in the Kimberley and Arnhem Land were stylistically similar to rock shelter paintings. The Aboriginal Read more…
Mimih Spirit Aboriginal people in the rocky environments of western and south-western Arnhem Land tell of the existence of tall slender spirits which they call Mimih. The name Mimih is well known throughout the top end of the Northern Territory. Read more…
Wak Wak This painting depicts a sacred site at ‘Kurrurldul’, an outstation south of Maningrida. The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called ‘Djimarr’. Today this being exists in the form Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and Read more…
Markurti This painting portrays part of the artist’s country where their family lived traditionally during the pujiman (bush) days. The Martu lived very nomadically moving from water source to water source hunting and gathering bush tucker as they went. They Read more…