Tuwa all around Punmu This canvas was painted as part of the Martumili Kuulkaja (Martu Schools) exhibition, a project designed to engage and celebrate the schools of the remote Martu communities.
Untitled This canvas was painted as part of the Martumili Kuulkaja (Martu Schools) exhibition, a project designed to engage and celebrate the schools of the remote Martu communities. This painting portrays physical elements of Martu Country, such as the dominant Read more…
Rocks in and out of Warralong This canvas was painted as part of the Martumili Kuulkaja (Martu Schools) exhibition, a project designed to engage and celebrate the schools of the remote Martu communities.
Kurtararra This painting portrays physical elements of Martu Country, such as the dominant tali (sandhills), warta (trees, vegetation), and water sources. Rock holes, waterholes, soaks and springs were all extremely important sites for Martu people during the pujiman (nomadic bush) Read more…
Yawkyawk Yawkyawk is a word in the Kunwinjku/Kunwok language of Western Arnhem Land meaning ‘young woman’ and ‘young woman spirit being’. The different groups of Kunwinjku people (one of the Eastern dialect groups call themselves Kuninjku) each have Yawkyawk mythologies, Read more…
Bush Jewellery – Necklace The women of Maningrida and surrounding homelands use a combination of locally found seeds, bone and shells to make a variety of jewellery including necklaces. earrings and bracelets. Many of the artists use complex patterns and designs Read more…
Untitled This canvas was painted as part of the Martumili Kuulkaja (Martu Schools) exhibition, a project designed to engage and celebrate the schools of the remote Martu communities.
Wood carving print This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting Read more…
Wood carving print This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting Read more…
Dadda Samson This painting represents an area of Dadda’s Country east of Jigalong. While growing up at Jigalong mission, the artist returned to her home Country every weekend to hunt and camp. Dada is recognised as a great authority in Jigalong Read more…